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Although precise definitions have not been agreed on, historical cinema tends to cut across existing genre categories and establishes an intimidatingly large group of films. In recent years, a lively body of work has developed around historical cinema, much of it proposing valuable new ways to consider the relationship between cinematic and historical representation. However, only a small proportion of this writing has paid attention to the issue of genre. In order to counter this omission, this book combines a critical analysis of the Hollywood historical film with an examination of its generic dimensions and a history of its development since the silent period. Historical Film: A Critical Introduction is concerned not simply with the formal properties of the films at hand, but also the ways in which they have been promoted, interpreted and discussed in relation to their engagement with the past.
Jonathan Stubbs is Associate Professor in the Communication Faculty at Cyprus International University.
List of Illustrations Acknowledgement Introduction: Film and the Invention of History Chapter One: What is Historical Cinema? Chapter Two: Detail, Authenticity and the Uses of the Past Chapter Three: Hollywood Historical Cinema up to WWII Chapter Four: The Age of Epics Chapter Five: New Hollywood, New Histories Chapter Six: Spectacle, Technology and Aesthetics Chapter Seven: Prestige, Education and Cultural Value Conclusion: The Role of the Historian Annotated Guide to Further Reading Bibliography Filmography Index
