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The book explores the necessity of the subject of trauma emerging, particularly when a victim has experienced.
Juan-Eduardo Tesone is Emeritus Professor of Psychoanalysis at the University of Salvador (USAL), Argentina, and Associate Professor of Psychology at Paris Nanterre University, France. He is a Member and Training Analyst of the Argentine Psychoanalytic Association and Member of the International Psychoanalytical Association. He is the author of more than 100 articles in specialist journals, in Spanish, French, English, Italian, German, Portuguese, and Croatian, and author and co-author of several books.
About the author Series editor's foreword Preface Introduction PART I - Transgression and crime Chapter 1: Incests and transgression of the narcissistic taboo Chapter 2: Incest is not the Oedipus Chapter 3: From the theory of seduction to traumatic seduction Chapter 4: In-cestus: from disavowal to revelation. Analysis of the film "The Celebration" (FESTEN) Chapter 5: Dominique: incest in the folds of the name or ig-nominia Chapter 6: A pain without a subject PART II - Between completeness and nothingness Chapter 7: Could what they say be true? Chapter 8: The importance of the No in the prevention of sexual violence against children and adolescents Chapter 9: Femicide and orphanhood Chapter 10: The divine jouissance, the feminine position, and the mystics Chapter 11: Masculinities checkmated? Chapter 12: The tattoo and the shield of Perseus Chapter 13: William, did you say, "Much Ado about Nothing"? PART III - Yes, we see, but what? What we hear Chapter 14: Hysteria's contribution to subjectivity Chapter 15: Sexes and genders Chapter 16: Cumulative trauma and "troumatique" Chapter 17: Viability of psychic change. Between the disruptive of life and the inertia of the deadly, or how to generate fertile psychic changes Chapter 18: What hurts you? Psychic vulnerability and somatic disorder Chapter 19: Transformations of the formless: painting and psychoanalysis Chapter 20: Commemorating, remembering, forgetting
