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Laugh Lines: Caricaturing Painting in Nineteenth-Century France is the first major study of Salon caricature, a kind of graphic art criticism in which press artists drew comic versions of contemporary painting and sculpture for publication in widely consumed journals and albums. Salon caricature began with a few tentative lithographs in the 1840s and within a few decades, no Parisian exhibition could open without appearing in warped, incisive, and hilarious miniature in the pages of the illustrated press.
This broad survey of Salon caricature examines little-known graphic artists and unpublished amateurs alongside major figures like Édouard Manet, puts anonymous jokesters in dialogue with the essays of Baudelaire, and holds up the material qualities of a 10-centime album to the most ambitious painting of the 19th-century. This archival study unearths colorful caricatures that have not been reproduced until now, drawing back the curtain on a robust culture of comedy around fine art and its reception in 19th-century France.
Julia Langbein is Research Fellow at Trinity College Dublin, Ireland. An art historian specialising in 19th-century popular visual culture, she previously held a postdoctoral research fellowship at the University of Oxford, UK.
List of Plates
List of Figures
Introduction
1. Comic Reproduction in July Monarchy Paris
2. Dueling and Doubling: The Antagonism of Salon Caricature
3. Salon Caricature and The Physiognomy of Paint
4. Salon Caricature in the age of Reproduction.
5. Gravity and Graphic Medium in Cham and Daumier
6. Caricature and Comic Spectacle at the Paris Salon
7. Salon Caricature and the Making of Manet
Conclusion
Bibliography
Index
