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This book is a significant re-thinking of Duchamp's importance in the twenty-first century, taking seriously the readymade as a critical exploration of object-oriented relations under the conditions of consumer capitalism. The readymade is understood as an act of accelerating art as a discourse, of pushing to the point of excess the philosophical precepts of modern aesthetics on which the notion of art in modernity is based. Julian Haladyn argues for an accelerated Duchamp that speaks to a contemporary condition of art within our era of globalized capitalist production.
Julian Jason Haladyn is an art historian, cultural theorist and professor at OCAD University, Canada.
List of figures Acknowledgments 1 Apropos 2 Readymade as object 3 Capitalist accelerations 4 Aesthetics and the object 5 Comb 6 Speeding up language 7 Challenges to origineity 8 Consequences of a Duchampian accelerationism [1] 9 The choice economy 10 Readymade as black hole 11 Consequences of a Duchampian accelerationism [2] 12 Tzanck Check 13 Note on a readymade economics 14 Missed creative acts 15 Remade readymades 16 We Will Wait 17 An accelerated Duchamp