Hip-Hop within and without the Academy

Hip-Hop Within and Without the Academy explores why hip-hop has become such a meaningful musical genre for so many musicians, artists, and fans around the world. Through multiple interviews with hip-hop emcees, DJs, and turntablists, the authors explore how these artists learn and what this music means in their everyday lives. This research reveals how hip-hop is used by many marginalized peoples around the world to help express their ideas and opinions, and even to teach the younger generation about their culture and tradition.
In addition, this book dives into how hip-hop is currently being studied in higher education and academia. In the process, the authors reveal the difficulties inherent in bringing this kind of music into institutional contexts and acknowledge the conflicts that are present between hip-hop artists and academics who study the culture.
Building on the notion of bringing hip-hop into educational settings, the book discusses how hip-hop is currently being used in public school settings, and how educators can include and embrace hip-hop's educational potential more fully while maintaining hip-hop's authenticity and appealing to young people. Ultimately, this book reveals how hip-hop's universal appeal can be harnessed to help make general and music education more meaningful for contemporary youth.

Karen Snell has taught both graduate and undergraduate level music education courses at Boston University and the Eastman School of Music.
John Söderman is associate professor of music education at Malmö University.

Acknowledgments
Part 1 Ethnographic Hip-Hop Studies
1. Introduction
2. Young Hip-Hop Musicians Talk About Their Learning and Creative Strategies
3. Towards a Swedish Professional Hip-Hop Identity
4. The Musical Personhood of Three Canadian
Turntablists: Implications for Transformative
Collaborative Practice in Music Education
5. First Nations Hip-Hop Artists' Identity and Voice
Part 2 Academization of Hip-Hop
6. Introduction to Part 2
7. The Formation of a Scientific Field: Hip-Hop
Academicus
8. What is at Stake? How Hip-Hop is Legitimized and Discussed within University
9. Turntablism: A Vehicle for Connecting Community and School Music Making and Learning
Part 3 Educational and Artistic Implications of Hip-Hop
10. Introduction to Part 3
11. Jean Grae and Toni Blackman: An Educational and
Aesthetical Conversation with two Female Emcees
12. Folkbildning through Hip-Hop: A Presentation of two Rappers and one Swedish Hip-Hop Organization
13. How Critical Pedagogy and Democratic Theory can Inform Teaching Music, and Especially, Teaching
Hip-Hop
14. The Informal Learning Practices of Hip-Hop Musicians
15. Outroduction: Implications for Music and Music Education
Glossary of Terms
Bibliography
Index
About the Authors