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In fifteen essays-one new, two newly revised and expanded, three with new postscripts-Kendall L. Walton wrestles with philosophical issues concerning music, metaphor, empathy, existence, fiction, and expressiveness in the arts. These subjects are intertwined in striking and surprising ways. By exploring connections among them, appealing sometimes to notions of imagining oneself in shoes different from one's own, Walton creates a wide-ranging mosaic of innovative insights.
After considering a career in music, Kendall Walton found his natural home in philosophy, earning a B.A. at Berkeley and his Ph.D. from Cornell University. He taught for many years at the University of Michigan, and more recently at Stanford University. His writings include the ground breaking Mimesis as Make-believe (1990), and a companion volume to the present one, Marvelous Images: On Values and the Arts (2008). Walton is a fellow of the American Academy of Arts and Sciences and a past president of the American Society for Aesthetics.
PrefaceChapter 1. Empathy, Imagination and Phenomenal ConceptsChapter 2 Fictionality and Imagination: Mind the GapChapter 3. Two Kinds of Physicality, in Electronic and Acoustic MusicPostscripts to "Two Kinds of Physicality, in Electronic and Acoustic Music" Chapter 4. Thoughtwriting-in Poetry and MusicChapter 5. "It's Only a Game": Sports as FictionChapter 6. Restricted Quantification, Negative Existentials, and FictionChapter 7. Existence as Metaphor?Postscript to "Existence as Metaphor?"Chapter 8. Projectivism, Empathy, and Musical TensionChapter 9. Listening with Imagina tion: Is Music Representational?Chapter 10. Metaphor and Prop Oriented Make-BelieveChapter 11. Understanding Humor and Understanding MusicChapter 12 What Is Abstract About the Art of Music?Chapter 13. The Presentation and Portrayal of Sound PatternsPostscripts to "The Presentation and Portrayal of Sound Patterns" Chapter 14. Fearing FictionsChapter 15. Spelunking, Simulation and Slime: On Being Moved by FictionAcknowledgements Index
