Und dann auf "Zum Home-Bildschirm [+]".
Stöbern
genialokal zum Startbildschirm hinzufügen
Installieren Sie die genialokal App auf Ihrem Startbildschirm für einen schnellen Zugriff und eine komfortable Nutzung.
Installieren Sie die genialokal App auf Ihrem Startbildschirm für einen schnellen Zugriff und eine komfortable Nutzung.
Ihr gewünschter Artikel ist in 0 Buchhandlungen vorrätig - wählen Sie hier eine Buchhandlung in Ihrer Nähe aus:
LaFave opens the ears of film-goers to the nuance behind movie music, laying out in layman's language how composers map what we hear to what we see. As part of the Listener's Companion series, this volume provides an enhanced experience of music by exploring how the works were written and first performed as well as how they are enjoyed today.
Kenneth LaFave, former music critic for the Arizona Republic and the Kansas City Star, composes, teaches, and writes about music. The Phoenix Symphony, the Chicago String Quartet, and the Kansas City Chorale have commissioned scores from him, and his essays and reviews have appeared in NewMusicBox.org, Opera News, and Dance magazine. LaFave was a pit musician for the workshop production of Leonard Bernstein's last (unfinished) musical, The Race to Urga. He is the author of Experiencing Leonard Bernstein: A Listener's Companion.
Timeline Introduction Chapter 1: The Not-So Silent Era Chapter 2: Max Steiner and the First Generation SPOTLIGHT: SPOTTING AND CLICK-TRACKS Chapter 3: Mysteries, Thrillers and Film noir SPOTLIGHT: ORCHESTRATORS Chapter Four: The Epic, the Exotic, and War Chapter Five: Cowboys and Superheroes Chapter Six: Drama SPOTLIGHT: JAZZ IN FILM MUSIC Chapter Seven: Theme Songs, Comedies, and Romantic Comedies SPOTLIGHT: ANIMATION Chapter Eight: Science Fiction and Fantasy. Chapter Nine: Ambient Music, No Music, and Ready-mades Chapter Ten: Trends and Innovations Selected Listening Suggested Reading
