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Early 70s Radio focuses on the emergence of commercial music radio formats, which refer to distinct musical genres aimed toward specific audiences. This formatting revolution took place in a period rife with heated politics, identity anxiety, large-scale disappointments and seemingly insoluble social problems. As industry professionals worked overtime to understand audiences and to generate formats, they also laid the groundwork for market segmentation. Audiences, meanwhile, approached these formats as safe havens wherein they could re-imagine and redefine key issues of identity.
A fresh and accessible exercise in audience interpretation, Early 70s Radio is organized according to the eras five prominent formats and analyzes each of these in relation to their targeted demographics, including Top 40, soft rock, album-oriented rock, soul and country. The book closes by making a case for the significance of early 70s formatting in light of commercial radio today.
Kim Simpson, PhD, is a writer, musician, and radio host living in Austin, Texas.
Introduction: American Pie: Slicing Up Radio Consumers in the Early Seventies Chapter 1: Watching Scotty Grow: The New Top 40 and the Merging Spheres of Adults and Preteens Chapter 2: Pillow Talk: MOR, Soft Rock, and the "Feminization" of Hit Radio Chapter 3: All the Young Dudes: Progressive Rock Formats and the Taming of the American Male Chapter 4: The Agony and the Ecstasy: The Soul Radio Crisis and the Crossover Cure Chapter 5: What Is Truth: Country Radio's Growing Pains Conclusion: Never Ending Song of Love: The Continuing Legacy of Early Seventies Formatting Bibliography Index
