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New Dimensions in Photo Processes invites artists in all visual media to discover contemporary approaches to historical techniques. Painters, printmakers, and photographers alike will find value in this practical book, as these processes require little to no knowledge of photography, digital means, or chemistry.
Laura Blacklow teaches at the School of the (Boston) Museum of Fine Arts at Tufts University. A professional artist for over 40 years, she has received numerous grants and awards; her manipulated photographs are in the collection of the Addison Gallery of American Art, Harvard University's Fogg Museum, Chicago's Museum of Contemporary Art, and Polaroid's International Collection. Her work has also appeared in Christina Z. Anderson's Gum Printing and Other Amazing Contact Printing Processes (2017), Robert Hirsch's Exploring Color Photography (2015), and Robert Hirsch's Light and Lens: Photography in the Digital Age (2012).
Part I. Light-Insensitive Methods 1. Transfers, Lifts, and DIY Printmaking 2. Hand Coloring 3. Toning, by Elaine O'Neil and Laura Blacklow Part II. Preparation for Light-Sensitive Methods 4. Creating the Photo-Printmaking Studio 5. Generating Imagrey: Analogue Methods 6. Making Negatives: Digital Method, by Joseph Moccia and Laura Blacklow Part III. Light-Sensitive Methods 7. Cyanotypes 8. Van Dyke Brown Prints 9. Salted Paper Prints, by France Scully Osterman 10. Gum Bichromate Prints 11. Casein Pigment Prints 12. Platinum and Palladium Prints 13. Bromoil Prints, by Gene Laughter 14. Enlargement Emulsions and Tintypes 15. Contemporary Daguerreotypes (Becquerel Process), by Laura Blacklow, with assistance by Tyler Treadwell 16. Visual Hybrids Glossary Index
