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In today's image-saturated culture, the visual documentation of suffering around the world is more prevalent than ever. Yet instead of always deepening the knowledge or compassion of viewers, conflict photography can result in fatigue or even inspire apathy.
Lauren Walsh teaches at The New School and New York University, where she is the Director of the Gallatin School's Photojournalism Lab. She is also the Director of Lost Rolls America, a national public archive of photography and memory.
Foreword by Sebastian JungerIntroductionA Note on the InterviewsA Note on the Nachtwey Photo INTERVIEWSSection 1: Behind the Lens1. Introductory essay: "The World of Conflict Photographers" The Photographers:2. Andrea Bruce3. Marcus Bleasdale4. Susan Meiselas5. Shahidul Alam6. Ron Haviv7. Spencer Platt8. Eman Helal9. Benjamin Lowy10. Nina Berman11. Alexander Joe 12. Laurent Van der Stockt 13. Newsha Tavakolian Section 2: In the Newsroom and Beyond14. Introductory essay: "Industry Practices, Conflict Photography, and Critical Debates" The Photo Editors and Directors of Photography:15. Santiago Lyon, former Vice President and Director of Photography, The Associated Press16. MaryAnne Golon, Assistant Managing Editor and Director of Photography, The Washington Post 17. Aidan Sullivan, Founder and CEO of Verbatim Agency and former Vice President of Photo Assignments, Getty Images 18. Marion Mertens, Senior Digital Editor, Paris Match Section 3: Advocacy and Aid19. Introductory essay: "Photographs of Crisis: Human Rights and Humanitarian Organizations" The Human Rights and Humanitarian Agency Representatives:20. Michael Goldfarb, Director of Communications, Doctors Without Borders/Médecins Sans Frontières (MSF)-USA21. Peter Bouckaert, former Emergencies Director, Human Rights Watch22. Ellen Tolmie, former Senior Photography Editor, UNICEF Conclusion"Conflict Photography: Looking Ahead"Acknowledgements
