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This book explores how law can be understood through film by engaging creatively with the intellectual and aesthetic dimensions of both fields.
Vittoria Becci is a doctorate candidate at the Sciences Po Law School in Paris, France. Alexia Katsiginis is a doctoral candidate at the Sciences Po Law School in Paris, France. Edward van Daalen is a socio-legal researcher and postdoctoral fellow at the Labour Law and Development Research Laboratory (LLDRL) at McGill University, Canada.
1. Eating Popcorn Like a Lawyer: On Fictions, the Senses, and Belonging Alexia Katsiginis, Vittoria Becci, Edward van Daalen 2. Writing about Evil Alberto Rinaldi 3. Reading a Law Film in Cinematic Context as a Commentary on the Decline of Liberal Democracy and the Rule of Law: Emin Alper's Burning Days (2022) read against John Ford's The Man Who Shot Liberty Valance (1962) Orit Kamir 4. Violence as Law: Reading Dirty Harry, Unforgiven & Gran Torino as Comments on Vigilantism Günter Frankenberg 5. The Impossible Truth in Law and Films: The Female Gaze of Saint Omer and Anatomy of a Fall Séverine Dusollier 6. Teaching Law and Feminism through Cinema: A Proposal Helena Alviar García 7. Holy Motors: Law and Technology Nathan Moore 8. Kafka in the Balkans: "Before the Law," Nihilism and Crisis in Cristi Puiu's Aurora Camil Ungureanu 9. Revitalizing the Law: An Existentialist Take on Law and Film Louis Hill 10. Lost Horizons, or how to Lose more Slowly? Geoffrey Samuel 11. The Legal Spectacle Elie Aslanoff
