Butler Plays 2

Butler Plays: Two brings together a selection of Leo Butler's work, currently both published and previously unpublished, covering the years 2007 to 2013. It showcases his incredible variety in style and tone, and brings together some of his best-loved works alongside some of his lesser known pieces. Airbag (Royal Court, Rough Cuts, 2007) an old woman is lying on her death bed, imagining that she is being terrorised by gorillas. Butler's play is an exploration of death and the dying. I'll Be The Devil (RSC/Tricycle Theatre, 2008): With a poetic fearlessness, Leo Butler looks at what happens when a brutal foreign power is in intimate and callous contact with the primitive heart of an ancient society. Faces in the Crowd (Royal Court Theatre, 2008): Faces in the Crowd is a darkly comic play that offers a unique insight into twenty-first century London and the debts we accrue in the wake of seeking out our ambitions. Juicy Fruits (Paines Plough and Òran Mór, 2011): a one-act comedy set in a coffee shop in which two old friends from university meet again after many years. 69 (Natural Shocks Theatre Company; Pleasance, 2012): a series of 69 short vignettes, all on the subject of sex, offering a glimpse on a whole range of issues surrounding sexuality. Do It! (Royal Court, Open Court Season, 2013) is an unsettling journey through the secrets and innermost thoughts of a group of pedestrians, unwittingly watched over by a violent force. The volume includes an introduction by the playwright.

Leo Butler is an award-winning playwright. His plays have been produced by many of the UK's most important theatres, including National Theatre, Royal Court, Almeida, Birmingham Rep, and Royal Shakespeare Company. He has written many celebrated plays about young people, including Made of Stone (Royal Court), Redundant (Royal Court), Boy (Almeida), and Decades (Brit School/Bridge Theatre Co.) He has written historical plays such as I'll Be The Devil0 (RSC), and contemporary dramas such as Lucky Dog (Royal Court), Faces in the Crowd (Royal Court) and The Early Bird (Queen's Theatre, Belfast). He has also adapted classics like Woyzeck (Birmingham Rep), pantomimes and comedies such as Cinderella (Theatre Royal Stratford East) and All You Need is LSD (Birmingham Rep), and musicals such as Alison! The Rock Opera (Royal Court/King's Head). For ten years, Leo was Writers Tutor at the Royal Court Theatre and helped nurture a new generation of playwriting talent.