Linda Nochlin

Why Have There Been No Great Women Artists?

Anniversary edition. 14 Illustrations, black and white. Sprachen: Englisch. 18,3 cm / 12,2 cm / 2,0 cm ( B/H/T )
Buch (Hardcover), 111 Seiten
EAN 9780500023846
Veröffentlicht März 2021
Verlag/Hersteller Thames & Hudson
16,50 inkl. MwSt.
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Beschreibung

Linda Nochlin's seminal essay on women artists is widely acknowledged as the first real attempt at a feminist history of art. Nochlin refused to handle the question of why there had been no 'great women artists' on its own, corrupted, terms. Instead, she dismantled the very concept of 'greatness', unravelling the basic assumptions that had centred a male-coded 'genius' in the study of art. With unparalleled insight and startling wit, Nochlin laid bare the acceptance of a white male viewpoint in art historical thought as not merely a moral failure, but an intellectual one. Freedom, as she sees it, requires women to risk entirely demolishing the art world's institutions, and rebuilding them anew - in other words, to leap into the unknown.
In this stand-alone anniversary edition, Nochlin's essay is published alongside its reappraisal, 'Thirty Years After'. Written in an era of thriving feminist theory, as well as queer theory, race and postcolonial studies, 'Thirty Years After' is a striking reflection on the emergence of a whole new canon. With reference to Joan Mitchell, Louise Bourgeois, Cindy Sherman and many more, Nochlin diagnoses the state of women and art with unmatched precision and verve. 'Why Have There Been No Great Women Artists?' has become a slogan and rallying cry that resonates across culture and society; Dior even adopted it in their 2018 collections. In the 2020s, at a time when 'certain patriarchal values are making a comeback', Nochlin's message could not be more urgent: as she herself put it in 2015, 'there is still a long way to go'.
With 14 illustrations

Portrait

Linda Nochlin (1931-2017), described in the Guardian as 'a trailblazer to the end', was Lila Acheson Wallace Professor Emerita of Modern Art at the New York University Institute of the Fine Arts. She wrote extensively on issues of gender in art history and on 19th-century Realism. Her numerous publications include Women, Art and Power; Representing Women; Courbet and Misère.

Inhaltsverzeichnis

Introduction by Catherine Grant - 1.Why Have There Been No Great Women Artists? - 2."Why Have There Been No Great Women Artists?" Thirty Years After - Notes - Further Reading

Hersteller
Libri GmbH
Europaallee 1

DE - 36244 Bad Hersfeld

E-Mail: gpsr@libri.de

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