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Two crucial moments in the formation and disintegration of musical modernity and the musical canon occurred at the turn of the seventeenth and the first half of the twentieth century. Dr Ljubica Ilic provides a fresh and close look at these moments, exploring the ways musical compositions shift to and away from ideological structures identified with modernity. The focus is on European art music whose grand narrative, defined by tonality and teleological development, begins in the seventeenth century and ends with twentieth-century modernisms. Seeing musical storytelling as a metaphoric representation of selfhood, and modernity as a historical continuum, Ilic examines the boundaries and relationships between the musical work, the subject, and modern European history.
Ljubica Ilic holds degrees from the University of Arts in Belgrade (BA in musicology) and University of California, Los Angeles (MA and PhD in musicology), where she was a Chancellor's fellow. Ilic was an Ahmanson-Getty Postdoctoral Fellow (2007-2008), and a visiting professor in the department of musicology at UCLA (2008-2009).
Introduction The Limits of the Work, the Limits of the World, Ljubica Ilic; Chapter 1 Mirrors and Echoes: Beyond the Confines of Theatrical Space, Ljubica Ilic; Chapter 2 The Unutterable Silence: O Word, Thou Word that I Lack, Ljubica Ilic; Chapter 3 The Terror of Desire: Arbitrary Outcomes or the Dei ex Machinis, Ljubica Ilic;
