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The importance of cognition in teaching, learning, and research in music education has been championed by individuals in the arts, led by Elliot Eisner of Stanford University and by psychologists such as Howard Gardner of Harvard University and Robert Sternberg of Yale. A stellar line up of international authors has been assembled to provide in a single volume the latest theoretical and practical techniques that explain meaning and understanding in music. Sponsored by the National Association of Music Education (MENC), this book provides the most thorough coverage to date of such topics as:
* The development of skills in music performance
* Research on communicating music expressiveness
* The neurobiology of music
* The cognitive constraints in the listening process
* Music and medicine as applied to neuroscience
This collection will prove essential for students and scholars of music education and psychology of music.
Richard Colwell is Professor Emeritus of Music Education at the University of Illinois and Adjunct Professor of Music Education at the University of Michigan. He is the founding editor of the Bulletin of the Council for Research in Music Education and the Quarterly Journal of Music Teaching and Learning.
- 1: Wilfried Gruhn, University of Freiburg, and Frances Rauscher, University of Wisconsin, Oshkosh: The Neurobiology of Music Cognition and Learning
- 2: William Forde Thompson, York University, Toronto, and E. Glenn Schellenberg, University of Toronto at Mississauga: Cognitive Constraints on Music Listening
- 3: Heiner Gembris, University of Paderborn, Germany: The Development of Musical Abilities
- 4: Bruce Torff, Hofstra University: A Comparative Review of Human Abilitiy Theory: Context, Structure, and Development
- 5: Reinhard Kopiez, University of Hannover, Germany: Making Music and Making Sense Through Music: Expressive Performance and Communication
- 6: Andreas C. Lehmann, Hochschule für Musik, Würzburg, Germany, and Jane W. Davidson, University of Sheffield: Taking an Acquired Skills Perspective on Music Performance
- 7: John W. Flohr, Texas Women's University, Denton, and Donald A. Hodges, University of North Carolina, Greensboro: Music and Neuroscience
