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Robert Wilson is an American-European director who is also a performer, installation artist, writer, designer of light and much more besides - a crossover polymath who dissolves both generic and geographical boundaries and is a precursor of globalisation in the arts. This second edition of Robert Wilson combines:
an analysis of his main productions, situated in their American and European socio-cultural and political contexts
a focused, detailed study of Wilson's pathbreaking Einstein on the Beach
a study of Pushkin's Fairy Tales as the foremost example of his folk-rock music theatre in the twenty-first century
an exploration of his 'visual book', workshop and rehearsal methods, and collaborative procedures
a study of his aesthetic principles and the elements of composition that distinguish his directorial approach
a series of practical exercises for students and practitioners highlighting Wilson's technique.
As a first step towards critical understanding, and as an initial exploration before going on to further, primary research, Routledge Performance Practitioners offer unbeatable value for today's student.
Maria Shevtsova is Professor of Drama and Theatre Arts at Goldsmiths, University of London. Her books include Dodin and the Maly Drama Theatre: Process to Performance (2004), Fifty Key Theatre Directors (2005), Sociology of Theatre and Performance (2009), Directors/Directing: Conversations on Theatre (co-authored, 2009) and The Cambridge Introduction to Theatre Directing (co-authored, 2013). All her books have been translated into multiple languages, and she is co-editor of New Theatre Quarterly.
CONTENTS List of figures Acknowledgements A WORKING LIFE Becoming Robert Wilson Dance plays, silent operas and words Art and politics: the 1960s and after Wilson after Einstein METHOD, ELEMENTS AND PRINCIPLES A workshop method Elements and principles EINSTEIN ON THE BEACH Itinerary and reception Einstein on the Beach: a landmark Structure and form Breakdown of the work Summing up 4. POST SCRIPTUM OF 2017: PUSHKIN'S FAIRY TALES Style and 'camp' Display and cultural evocation 5. PRACTICAL EXERCISES Movement Body imaging Make-up Composing a silent play Sound and music Working with texts Light A short glossary of terms Bibliography Index
