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This book demonstrates that art is implicit in the process of administration of international justice. The book will be of interest to academics and researchers working in the areas of Legal Philosophy, International Criminal Justice, International Law and International Relations.
Marina Aksenova is Associate Professor of International Criminal Law at IE University in Madrid and founder of Art and International Justice Initiative. She worked at the United Nations International Criminal Tribunal for the Former Yugoslavia and as a legal associate in White and Case LLP. As part of her academic journey, she held postdoctoral research positions at the Centre of Excellence for International Courts at the University of Copenhagen, the Institute for Advanced Studies at the Central European University in Budapest, and the University of Florence. Marina's research lies at the intersection of deep doctrinal engagement with international law and creativity. Marina seeks to innovate without losing touch with the core methodological and philosophical assumptions underlying the field of international justice. Her first book Complicity in International Criminal Law (Hart, 2016) won Paul Guggenheim award at the Geneva Graduate Institute.
1. Introduction 2. Philosophical foundations of universality and the role of aesthetics in building international justice 2.0 3. Re-thinking the mode of expression in international justice 4. International justice as a ritual: Anthropological and sociological accounts 5. The role of art and aesthetics in the practice of symbolic and creative reparations at the ICC and IACtHR 6. Observe - build - play - repeat: The new method of international justice 2.0
