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This book is a selection of essays by Noël Carroll at the intersection of the major divisions of philosophy and film and TV including articles on moving images and metaphysics, epistemology, ethics, political philosophy, and aesthetics.
Professor of Philosophy, CUNY Graduate Center. Author HUMOR: A Very Short Introduction (OUP 2014), ART IN THREE DIMENSIONS (OUP 2010), ENGAGING THE MOVING IMAGE (Yale 2003), A PHILOSOPHY OF MASS ART (OUP 1998), THE PHILOSOPHY OF MOTION PICTURES (Blackwell 2007)
METAPHYSICS
Toward an Ontology of the Moving Image
The Return of Medium Specificity Claims and the Evaluation of the Moving Image
Motion Picture Narration
EPISTEMOLOGY
Movie-Made Philosophy
Philosophizing Through the Moving Image: The Case of Serene Velocity
Warhol's Empire
PHILOSOPHICAL PSYCHOLOGY
Cognitivism, Psychology, and Neuroscience: Moves as Attentional Engines
(with William P. Seeley)
Movies, Narrative, and Emotion
ETHICS
Subjectivity, the Emotions, and the Movies
Moral Change: Fiction, Film, and Family
Rough Heroes: A Response to A.W. Eaton
Talk to Her
Vertigo: The Impossible Love
POLITICS
Science Fiction, Philosophy and Politics: Planet of the Apes as a Thought Experiment
Yvonne Rainer and the Recuperation of Everyday Life
Amy Schumer or the Incongruities
PHILOSOPHIES OF THE ARTS
Three Problems in the Philosophy of Movie Music
(with Margaret Moore)
Dogma Dance
HISTORY OF THE PHILOSOPHY OF THE MOVING IMAGE
Béla Balász: The Face of Cinema
Eisenstein's Philosophy of Film
Revisiting the World Viewed
Arthur Danto Goes to the Movies
