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This book unveils the vibrant and thriving world of Peruvian metal. It brings together a collection of Peruvian scholars, providing a long-overdue spotlight on a musical realm often overlooked in the international conversation.
José Ignacio López Ramírez Gastón is a sound artist and music researcher residing in Lima. He holds a PhD in Music from the University of California San Diego (UCSD), and is currently Director of the Dirección de Innovación y Transferencia Tecnológica at the Universidad Nacional de Música.
Contents List of Figures and Tables A Long-awaited Introduction José Ignacio López Ramírez Gastón 1. Is This Really Us? Translocality, Representation, and Social Functionality of a Peruvian Metal at the Margins of the Periphery Jose- Ignacio Lo-pez Rami-rez Gasto-n 2. The Chakal Sound: Discourses of Authenticity in the Musical Production of Peruvian Extreme Metal (1988-2000) Camilo Uriarte Trancon 3. Semiotics of Horror in the Artistic Works of Metal Album Covers in Perú Eduardo Yalán Dongo 4. Expanding the Notion of National Music: The Case of the Album Testimonios by the Peruvian Metal Group Kranium Ricardo Olavarri-a Ginocchio 5. Leather Jackets in the Highlands: The Metal Scene in Puno, Peru- (1994-2004) Christian Reynoso 6. Cobra and Blizzard Hunter Encounters and Mis-encounters of a Return to the Past: Between the Resurgence of Heavy Metal in Lima Peru in the First Decade of the Two Thousand and the Academization of the Teaching of Metal Jorge De Souza 7. Revelations of Doom: Rise and Sustainability of the Peruvian Metal Scene in a Subnational Level Giovanni Arriola and Jimy Trujillo 8. The Construction of an Apolitical Position for Metal and its Meaning in the Manifestos of the Gran Horda Metallica del Perú César G. Monterroso 9. Rethinking Metal & Globalization: The Lima Metal Scene as a Case Study Luci-a de Fätima Go-mez Garay About the Contributors