The Woman's Voice

Why are so many women still not properly listened to?Why do they sometimes feel that they're less interesting than they are?Why do they often rush when they speak?Why do some women feel the pressure to sound like little girls? From one of the world's leading experts on the voice comes this call to arms for women to reclaim their voices. Using elements of experience and practice from her prolific career, Patsy Rodenburg examines these questions, and many more, to decipher what lies at the heart of female empowerment. From the age of four, Rodenburg knew that she found communication difficult. Her struggle with her own voice set her on the journey that led her to discover her vocation. She has spent her life re-finding and re-empowering voices, particularly the lost voices of women. Watching her highly intelligent working-class mother and grandmother ignored and often silenced gave her the insight to investigate why that was and how to help women overcome this centuries-old issue. With warmth and humour, Rodenburg interrogates Shakespeare's texts and his presentation of female characters; develops the notion of rhetoric in relation to the female voice; and applies concepts explored in her previous books, including The Three Circles of Energy. And, perhaps most crucially, through arguing that power and voice are directly linked to breath, Rodenburg makes the case that Western society's oppression of women has diminished their natural ability to breathe.
Exploring the female voice through practical exercises and stories from the front line, as well as profoundly personal and formative experiences from her own life, Rodenburg defines the art of accessing the voice within and reclaiming the woman's right to speak.
The Woman's Voice is also available in audiobook format from audiobook retailers.

Patsy Rodenburg, OBE, is Professor of Text and Poetry at Guildhall School of Music & Drama, UK, after serving as Head of Voice from 1981-2016. In 1981 she was appointed the Voice Coach for the Royal Shakespeare Company, responsible for the works of the Company in London, and in 1990 was appointed the first Head of Voice at the Royal National Theatre where she ran the department until 2006.
She has worked with theatre companies across the UK including Theatre de Complicitè, Shared Experience, Cheek by Jowl and the Royal Court, having coached numerous West End and Broadway productions. Patsy has also worked at many major theatre companies all over the world, including Stratford Festival Theatre (Ontario, Canada), Kabuki Theatre (Japan), Indian National Theatre (Mumbai, India), Lithuania National Drama Theatre (Vilnius, Lithuania), Royal Dramatic Theatre (Stockholm, Sweden), The Market Theatre (Johannesburg, South Africa), Beijing Opera (China) and Verbier Festival (Verbier, Switzerland). She has been teaching storytelling to teachers and corporate leaders since 1976.
www.patsyrodenburg.co.uk

Prologue
Chapter 1 - The Beginnings
Chapter 2 - Cages
Chapter 3 - Brilliant Women
Chapter 4 - Whole Presence, Whole Voice
Chapter 5 - The Unquestionably Equal Woman
Chapter 6 - Equal?
Chapter 7 - Mother Margaret and Nanna Winifred
Chapter 8 - Winnie
Chapter 9 - My Father
Chapter 10 - Education
Chapter 11 - Vocation
Chapter 12 - Voice and Rhetoric
Chapter 13 - The Fading Memory of Women's Power
Chapter 14 - John
Chapter 15 - Scarls
Chapter 16 - Focusing on Voice
Chapter 17 - Handmaidens
Chapter 18 - Breaking Free - Going Deeper - Demanding More
Chapter 19 - 2006: Moving On - The Revolution of Thriving, not just Surviving
Chapter 20 - Facing the Inevitable
Chapter 21 - Where is your Voice?
Chapter 22 - Masks of Survival
Chapter 23 - Form and Content
Epilogue
Index