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Leading scholar Paul G. Pickowicz traces the dynamic history of Chinese filmmaking and its stunning development decade-by-decade since the 1920s. During the last one hundred years, China has been embroiled in a seemingly unending series of wars, revolutions, and jarring social transformations. Despite daunting censorship obstacles, Chinese filmmakers have found ingenious ways of taking political stands and weighing in—for better or worse—on the most explosive social, cultural, and economic issues of the day. Exploring the often gut-wrenching controversies generated by their work, Pickowicz offers a unique and perceptive window on Chinese culture and society.
By Paul G. Pickowicz
Introduction: The Sorrows and Joys of Chinese Filmmaking: Political and Personal Contexts Chapter 1: Shanghai Twenties: Early Chinese Cinematic Explorations of the Modern Marriage Chapter 2: The Theme of Spiritual Pollution in Chinese Films of the 1930s Chapter 3: Melodramatic Representation and the May Fourth Tradition of Chinese Cinema Chapter 4: Never-Ending Controversies: The Case of Remorse in Shanghai and Occupation-Era Chinese Filmmaking Chapter 5: Victory as Defeat: Postwar Visualizations of China's War of Resistance Chapter 6: Acting like Revolutionaries: Shi Hui, the Wenhua Studio, and Private-Sector Filmmaking, 1949-1952 Chapter 7: Zheng Junli, Complicity, and the Cultural History of Socialist China, 1949-1976 Chapter 8: The Limits of Cultural Thaw: Chinese Cinema in the Early 1960s Chapter 9: Popular Cinema and Political Thought in Early Post-Mao China: Reflections on Official Pronouncements, Film, and the Film Audience Chapter 10: On the Eve of Tiananmen: Huang Jianxin and
