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The Jesus and Mary Chain's swooning debut Psychocandy seared through the underground and through the pop charts, shifting the role of noise within pop music forever. Post-punk and pro-confusion, Psychocandy became the sound of a generation poised on the brink of revolution, establishing Creation Records as a tastemaking entity in the process. The Scottish band's notorious live performances were both punishingly loud and riot-spurring, inevitably acting as socio-political commentary on tensions emergent in mid-1980s Britain. Through caustic clangs and feedback channeling the rage of the working-class who'd had enough, Psychocandy gestures toward the perverse pleasure in having your eardrums exploded and loudness as a politics within itself. Yet Psychocandy's blackened candy heart center - calling out to phantoms Candy and Honey with an unsettling charm - makes it a pop album to the core, and not unlike the sugarcoated sounds the Ronettes became famous for in the 1960s. The Jesus and Mary Chain expertly carved out a place where depravity and sweetness entwined, emerging from the isolating underground of suburban Scotland grasping the distinct sound of a generation, apathetic and uncertain. The irresistible Psychocandy emerged as a clairvoyant account of struggle and sweetness that still causes us to grapple with pop music's relation to ourselves.
Paula Mejia is a writer, journalist and critic. Her work has appeared in The Criterion Collection, NPR, The New Yorker, The New York Times, Rolling Stone and other publications.
Introduction: Taste the Floor Chapter One: Never Understand Chapter Two: Just Like Honey Chapter Three: In a Hole Chapter Four: Sowing Seeds Chapter Five: Taste of Cindy Chapter Six: Some Candy Talking Chapter Seven: My Little Underground Chapter Eight: The Living End Chapter Nine: Cut Dead Chapter Ten: Inside Me Chapter Eleven: It's So Hard Chapter Twelve: Something's Wrong Chapter Thirteen: The Hardest Walk Chapter Fourteen: You Trip Me Up
