Cajun Breakdown

In 1946, Harry Choates, a Cajun fiddle virtuoso, changed the course of American musical history when his recording of the so-called Cajun national anthem "Jole Blon" reached number four on the national Billboard charts. Cajun music became part of the American consciousness for the first time thanks to the unprecedented success of this issue, as the French tune crossed cultural, ethnic, racial, and socio-economic boundaries. Country music stars Moon Mullican, Roy Acuff, Bob Wills, and Hank Snow rushed into the studio to record their own interpretations of the waltz-followed years later by Waylon Jennings and Bruce Springsteen. The cross-cultural musical legacy of this plaintive waltz also paved the way for Hank Williams Sr.'s Cajun-influenced hit "Jamabalaya."
Choates' "Jole Blon" represents the culmination of a centuries-old dialogue between the Cajun community and the rest of America. Joining into this dialogue is the most thoroughly researched and broadly conceived history of Cajun music yet published, Cajun Breakdown. Furthermore, the book examines the social and cultural roots of Cajun music's development through 1950 by raising broad questions about the ethnic experience in America and nature of indigenous American music. Since its inception, the Cajun community constantly refashioned influences from the American musical landscape despite the pressures of marginalization, denigration, and poverty. European and North American French songs, minstrel tunes, blues, jazz, hillbilly, Tin Pan Alley melodies, and western swing all became part of the Cajun musical equation. The idiom's synthetic nature suggests an extensive and intensive dialogue with popular culture, extinguishing the myth that Cajuns were an isolated folk group astray in the American South. Ryan André Brasseaux's work constitutes a bold and innovative exploration of a forgotten chapter in America's musical odyssey.

Louisiana native Ryan André Brasseaux is the Dean of Davenport College and Lecturer in American Studies at Yale University. A former Research Associate for public radio's American Routes hosted by Nick Spitzer, Brasseaux has served as a Cajun cultural expert for the National Council for the Traditional Arts, Associated Press, National Public Radio, Public Radio International, Canadian Broadcast Corporation, National Film Board of Canada, and the Food Network. He lives on Yale's campus with his wife Jessika and their two children Anne Elise and Joseph Emile.

Acknowedgements
Preface
Introduction: Framing Cajun Music
1. Social Music
2. Early Commercial Era
3. A Heterogeneous Tradition
4. Becoming the Folk
5. Cajun Swing Era
6. The Modern Cajun Sound
7. Cajun National Anthem
8. A New Mental World
Epilogue: Escaping Isolation
Endnotes
Bibliography
Cajun Redux: A Discographic Essay of Early Cajun Music Reissues on Compact Disk