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I thought everything would change, after the war. And now, no one even mentions it. It is as if we all got together in private and said whatever you do don't mention that, like it never happened.
It's the late 1940s. Calm has returned to London and five people are recovering from the chaos of war.
In scenes set in a quiet dating agency, a bombed-out church and a prison cell, the stories of these five lives begin to intertwine and we uncover the desire and regret that has bound them together.
Sarah Waters's story of illicit love and everyday heroism takes us from a dazed and shattered post-war Britain back into the heart of the Blitz, towards the secrets that are hidden there.
Olivier-nominated playwright Hattie Naylor has created a thrilling and theatrically inventive adaptation of a great modern novel.
The stage adaptation of The Night Watch was premiered at the Royal Exchange Theatre, Manchester, on 16 May 2016.
Sarah Waters has written six novels: Tipping the Velvet (1998, Betty Trask Award); Affinity (1999, Somerset Maugham Award, the Sunday Times Young Writer of the Year Award); Fingersmith (2002, shortlisted for the Man Booker Prize and the Orange Prize, and winner of the South Bank Show Award for Literature and the CWA Historical Dagger); The Night Watch (2006, shortlisted for the Orange Prize and the Man Booker Prize); The Little Stranger (2009, shortlisted for the Man Booker Prize and the South Bank Show Literature Award) and The Paying Guests (2014, shortlisted for the Baileys Women's Prize for Fiction). She was included in Granta's prestigious list of 'Best of Young British Novelists 2003', and in the same year was voted Author of the Year at the British Book Awards and the BA Conference, and won the Waterstones Author of the Year Award. In April 2015 she joined the Council of the Society of Authors.
