Kristin Lavransdatter

"The finest historical novel our 20th century has yet produced; indeed it dwarfs most of the fiction of any kind that Europe has produced in the last twenty years." -- Contemporary Movements in European Literature, edited by William Rose and J. Isaacs "As a novel it must be ranked with the greatest the world knows today." -- Montreal Star "Sigrid Undset's trilogy embodies more of life, seen understandingly and seriously... than any novel since Dostoievsky's Brothers Karamazov. It is also very probably the noblest work of fiction ever to have been inspired by the Catholic art of life." -- Commonweal "No other novelist, past or present, has bodied forth the medieval world with such richness and fullness of indisputable genius.... One of the finest minds in European literature." -- New York Herald Tribune "This trilogy is the first great story founded upon the normal events of a normal woman's existence. It is as great and as rich, as simple and as profound, as such a story should be." -- Ruth Suckow in the Des Moines Register

Sigrid Undset (1882-1949) was born in Denmark, the eldest daughter of a Norwegian father and a Danish mother. Two years after her birth, the family moved to Oslo, where her father, a distinguished archaeologist, taught at the university. Her father's interest in the past had a tremendous influence on Undset. She was particularly entranced by the dramatic Old Norse sagas she read as a child, later declaring that her exposure to them marked "the most important turning point in my life." Undset's first published works-the novel Mrs. Marta Oulie (1907) and a short-story collection, The Happy Age (1908)-were set in contemporary times and achieved both critical and popular success. With her reputation as a writer well-established, Undset had the freedom to explore the world that had first fired her imagination, and in Gunnar's Daughter (1909) she drew upon her knowledge of Norway's history and legends, including the Icelandic Sagas, to recreate medieval life with compelling immediacy. In 1912, Undset married the painter Anders Castus Svarstad and over the next ten years faced the formidable challenge of raising three stepchildren and her own three off-spring with little financial or emotional support from her husband. Eventually, she and her children moved from Oslo to Lillehammer, and her marriage was annulled in 1924, when Undset converted to Catholicism. Although Undset wrote more modern novels, a collection of essays on feminism, as well as numerous book reviews and newspaper articles, her fascination with the Middle Ages never ebbed, and in 1920 she published The Wreath, the first volume of her most famous work, Kristin Lavransdatter. The next two volumes quickly followed-The Wife in 1921, and The Cross in 1922. The trilogy earned Undset worldwide acclaim, and her second great medieval epic-the four-volume The Master of Hestviken (1925-1927)-confirmed her place as one of the twentieth century's greatest writers. In 1928, at the age of 46, she received the Nobel Prize in Literature, only the third woman to be so honored. Undset went on to publish more novels-including the autobiographical The Longest Years-and several collections of essays during the 1930s. As the Germans advanced through Norway in 1940, Undset, an outspoken critic of Nazism, fled the country and eventually settled in Brooklyn, New York. She returned to her homeland in 1945, and two years later she was awarded Norway's highest honor for her "distinguished literary work and for service to her country." The years of exile, however, had taken a great toll on her, and she died of a stroke on June 10, 1949. Brad Leithauser is the author of several novels, four volumes of poetry, and a collection of essays. He is the Emily Dickinson Lecturer in the Humanities at Mount Holyoke College.