Sense and Sadness

Sense and Sadness is an innovative study of music modality in relation to human emotion and the aesthetics of perception. It is also a musical story of survival through difficulty and pain. Focusing on chant at St George's Syrian Orthodox Church of Aleppo, author Tala Jarjour puts forward the concept of the emotional economy of aesthetics, which enables a new understanding of modal musicality in general and of Syriac musicality in particular. Jarjour combines insights from musicology and ethnomusicology, sound and religious studies, anthropology, history, East Christian and Middle Eastern studies, and the study of emotion, to seamlessly weave together multiple strands of a narrative which then becomes the very story it tells. Drawing on imagination and metaphor, she brings to the fore overlapping, at times contradictory, modes of sense and sense making. At once intimate and analytical, this ethnographic text entwines academic thinking with its subject(s) and subjectivities, portraying events, writing, people, and music as they unfold together through ritual commemorations and a devastating, ongoing war.

Tala Jarjour's academic work focuses on music and religion, especially in contexts related to the Middle East. She wrote her PhD as a Gates Scholar at the University of Cambridge, and is currently Visiting Fellow at Yale University.

- Preface
- Telling history in motion
- Dismantled machinery
- Illusive empowerment
- Part One
- Modes of Thinking
- Chapter I
- Emotion and the Aesthetic
- [Snapshot]
- Emotion and the Economy of Aesthetics
- The emotional economy of aesthetics
- A living music
- Central marginality
- Music complexity
- Mode as metaphor
- Understanding through imagination
- A dynamic outlook on method
- [Snapshot]
- A scholarship of emotion
- Discursive subjectivities
- Scholar(ship) and subject(s)
- Situationality as liminality
- Aestheticizing the emotional
- Chapter II
- Edessan Christians in Hayy al-Suryan
- Unique sounds, against historic odds
- Syriac liturgy and theology
- Modern Christianity with ancient roots
- Begging pardon: Shubqono
- Forty times "Forty Bows"
- Early asceticism for modern worshippers
- Body, voice, and gendered spaces
- Part Two
- Modes of Knowledge
- Chapter III
- Eight Old Syriac Modes
- Definitions and tools
- Conventional European tools
- Local tools
- Music book and ontological value
- Written Sources
- "The Ethicon" and "The Pearls"
- Suryani musicology
- "Tableau sans ombres"
- Re-shifting focus
- Chapter IV
- Chant As Local Knowledge
- Contested modality
- A monastic perspective
- Music knowledge and Hayy al-Suryan
- Transcription
- Theoretical issues
- Local challenges
- Handwriting tradition
- Knowledge, modality, and influences
- Part Three
- Modes of Value
- Chapter V
- Suryaniness
- Ethnic spirituality
- Place/space and Urfa/Edessa
- Language
- Sound originality
- Sacred texts
- Sacred melodies
- Chapter VI
- Performing Value
- The Washing of the Feet
- Building up sadness
- Chapter VII
- Authority
- Performing authority
- [Snapshot] Value, one morning, and a camera
- Voicing authority
- Performative complexity
- Part Four
- Modalities of Song and Emotion
- Chapter VIII
- Hasho
- Huzn as religious aesthetic
- Hasho, a Syriac term
- Canonic sadness
- Aestheticized emotionality
- By the cross
- Hasho, the mode
- Epilogue
- Non-Conclusions
- Glossary
- References