The Routledge Companion to the Study of Local Musicking

WINNER OF THE 2019 SOCIETY OF ETHNOMUSICLOGY ELLEN KOSKOFF PRIZE FOR EDITED COLLECTIONS
The Routledge Companion to the Study of Local Musicking provides a reference to how, cross-culturally, musicking constructs locality and how locality is constructed by the musicking that takes place within it, that is, how people engage with ideas of community and place through music. The term "musicking" has gained currency in music studies, and refers to the diverse ways in which people engage with music, regardless of the nature of this engagement. By linking musicking to the local, this book highlights the ways in which musical practices and discourses interact with people's everyday experiences and understandings of their immediate environment, their connections and commitment to that locality, and the people who exist within it. It explores what makes local musicking "local." By viewing musicking from the perspective of where it takes place, the contributions in this collection engage with debates on the processes of musicking, identity construction, community-building and network formation, competitions and rivalries, place and space making, and local-global dynamics.

Suzel A. Reily is Professor of Ethnomusicology at the Universidade de Campinas, Brazil, and previously worked at Queen's University Belfast. She has published on several aspects of ethnomusicology. Her current research focuses on the music associated with vernacular Catholicism in southeastern Brazil. Katherine Brucher is Associate Professor of Music at the DePaul University School of Music. She has published on folk and ethnic music in Chicago, Portuguese music, and global brass band traditions.

Preface Foreword: Amateur Bands, Their Localities, and Their Challenges - The Lessons of History Local Musicking: An Introduction Section I - Modes of Local Musicking 1. Participatory Performance and the Authenticity of Place in Old-Time Music 2. Protestant-Lutheran Choir Singing in Northern Germany: Dimensions of Presentational Musicking in Local Community 3. Attending Concerts: Local Musicking among Greenlandic Youth 4. Hyperactive Musical Communities On- and Offline: Dancing and Producing Chicago Footwork, Shangaan Electro and Gqom 5. Community Beyond Locality: Circuits of Transnational Macedonian Romani Music 6. Community and the Musicking of Participatory Research in Rio de Janeiro Section II - Musicking and the Production of Locality 7. Sounding and Producing Locality: Creating a Locally Distinctive Band Practice in Cape Town 8. Orfeanismo: Local Musicking and the Building of Society in Provincial Portugal 9. ""It Gets Better When the People Come to Dance!"": Participatory Music in the Black Community of Campinas 10. Music Contests and Communities: A Small Competition Powwow and a Complex Fiddle Contest 11. Tuning in to Locality.../part contents