The Routledge Handbook of Progressive Rock, Metal, and the Literary Imagination

This Handbook illustrates the many ways that progressive rock and metal music forge striking engagements with literary texts and themes. The authors and their objects of analytic inquiry offer global and diverse perspectives on these genres and their literary connections: from ancient times to the modern world, from children's literature to epic poetry, from mythology to science fiction, and from esoteric fantasy to harsh political criticism. The musical treatments of these literary materials span the continents from South and North America through Europe and Asia. The collection presents critical perspectives on the enduring and complex relationships between words and music as these are expressed in progressive rock and metal. The book is aimed primarily at an academic market, valuable for second- through final-year students on undergraduate courses devoted to both popular music and to literary studies, and to postgraduate programs and researchers in a range of fields, including popular music studies, musicology, creative music performance and composition, songwriting, literary studies, narrative studies, folklore studies, science fiction studies, cultural studies, liberal studies, and sociology, and for media and history courses that have an interest in the intersection of narratives, music, and society.

Chris Anderton is Associate Professor in Cultural Economy at Southampton Solent University, Southampton, U.K. He has written/edited five books and published numerous chapters and journal articles on music business, music festivals, music fandom, music genre, media narratives of music, and progressive rock. He guest-edited a special edition of Rock Music Studies that focused on progressive rock (2019), and is currently co-editing The Intellect Handbook of Global Music Industries. He is also the editor of The Anthem Impact in Music Business, Technology and Culture book series. Lori Burns is Professor of Music at the University of Ottawa, Canada. Her interdisciplinary research, funded by the Social Sciences and Humanities Research Council of Canada, merges musical analysis and cultural theory to explore representations of gender and sexuality in the lyrical, musical, and visual texts of popular music. She has published articles in edited collections and leading journals. Her 2002 monograph, Disruptive Divas: Feminism, Identity, and Popular Music, won the Pauline Alderman Award in 2005. She is co-editor of The Pop Palimpsest with Serge Lacasse (2018), The Bloomsbury Handbook to Popular Music Video Analysis with Stan Hawkins (2019), and Analyzing Recorded Music with William Moylan and Mike Alleyne (2022). Two additional edited collections are forthcoming: The Routledge Handbook of Metal Music Composition with Ciro Scotto and The Routledge Handbook to the Popular Music Cover Song with Mike Alleyne.

List of Contributors List of Figures List of Tables Acknowledgments Introduction: Reflections on The Literary Imagination in Progressive Rock and Metal Chris Anderton and Lori Burns Part I. Theoretical Frameworks 1. More Erudite than Your Average Rock Band: Progressive Rock and Literature Andy Bennett 2. Cross-pollinations: Progressive Rock and Science Fiction Chris Anderton 3. So Hard to Find in My Cosmic Mind: Hippie Spirituality and Jon Anderson's Lyrics John Covach 4. "Everything in the lower world has its root in higher worlds": Rock and Religion in Jon Anderson's Chagall Songs Jonathan C. Friedman 5. Poets and Prophets: The Lyricists of Early Progressive Rock from Self-Creation to Parody Leonardo Masi 6. The Origin of Progressive Metal Lyrics in Black Sabbath's Music Nolan Stolz 7. The Dystopian Impulse in Prog: Cross-cutting Thread/ts in Dystopian Concept Albums Marcel Bouvrie Part II. Literary Adaptations 8. Time Travel Through Tolkien Sarah Hill and Jon Gower 9. Into the Storm - Blind Guardian's Nightfall in Middle Earth and the Tolkien Reception in German Metal music Martin Ringsmut 10. Storytelling Strategies in Camel's Music Inspired by The Snow Goose Ryan Blakeley 11. Musical Evocations of the Uncanny in David Bedford's The Rime of the Ancient Mariner Kevin Holm-Hudson 12. Royal Hunt's Adaptation of Ray Bradbury's Fahrenheit 451 and the Interplay Between Narrativity and Western Art Music Aleksandar Golovin 13. Neo-progressive Rock and Children's Literature: Stories of Innocence and Experience in Marillion's Misplaced Childhood and Pendragon's The Masquerade Overture Marion Brachet 14. Kamelot's Adaptation of Goethe's Faust: Tragic Subjectivities in Power Metal Lori Burns Part III. Mythologies and Folklores 15. Singing Minstrels, Recorders, and The Carnivalesque: Gentle Giant's Medievalist Imagination Richard Worth 16. "We are The Varangian Guard": Musical Rhetoric and Literary Reference in Turisas's Varangian Way Albums Milan K. Schaller 17. "Enuma Elish is Re-written": A Quantitative Survey of Mesopotamian Mythology's Reception in Metal Lyrics János Fejes 18. Keeper of the Seven Keys: Fantastical Themes of Ironic Ambivalence at the Birth of Power Metal Grigorios Mathioudakis 19. "Legend Never Dies": Mythology and Canon of Literature in Symphony X's Underworld Andrzej Madro 20. Recovery, Escape, and Consolation: Uriah Heep's The Magician's Birthday as Fairy-Story Joshua B. Tuttle 21. "A Maze with Very Minimal Guiding Light, Thematically Slithering Between Worlds": Black Metal, Progressive Rock, and Ambivalent Constellations of Imagination in Remmirath's Shambhala Vril Saucers Owen Coggins Part IV. Storyworlds 22. Narrative Worldmaking as Social Commentary in Pink Floyd's Animals Alexander C. Harden 23. Invisible Nonsense: Zero the Hero's Journey in Gong's Radio Gnome Invisible Trilogy Jay Keister 24. The Edge of this Airfield: Ballardian Liminal Spaces in the Music of Trevor Horn Jacob Holm-Lupo 25. Finding Progressive Rock in JoJo's Bizarre Adventure Ivan Tan 26. Dream Theater's The Astonishing: The Unification of the Literary and the Musical Ciro Scotto 27. Storytelling, Narrative, and Coherence in Avatar's Feathers and Flesh - In His Own Words (2017) Elise Girard-Despraulex 28. The Hauntology of Story, Gameplay, Images, and Music: Hajo Müller, Steven Wilson, Jess Cope, and Ovosonico's Last Day of June Patrick Armstrong and Lori Burns Part V. Subjectivities and Identities 29. The New Jerusalem: Genesis and Englishness David Pattie 30. Us & Them: Dystopias, Resistance, and Literary Influences in Roger Waters' Work (1968-2019) Philippe Gonin 31. Las Alturas de Machu Picchu: Los Jaivas, Progressive Rock, and the Unmooring of Latin American Identity Israel Holas Allimant and Sergio Holas Véliz 32. "La Libre Creación": Exploring Narrativity in the Progressive Rock of Northwest Spain during the Spanish Transition to Democracy Eduardo Garcia Salueña 33. Resonating Authenticities: Chinese Progressive Rock Lyrics as Socio-Political Critique and Cultural Expression Mengyao Jiang 34. Ambiguity, Identity, and Memory in Japanese Progressive Rock Akitsugu Kawamoto 35. The Tool Album as Gesamtkunstwerk Nicole Biamonte and Jerry Cain Index