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That's why we shout and scream at each other. Clears the air. A kind of truth begins to emerge. We see clearer. Pip and Meredith have had a bust-up. It was only about their opinion of a film, but it's led to more significant differences coming to light. Pip has been having an affair for the past three months with a young colleague at work. Meredith's slate doesn't seem to be entirely clean either. As their families and friends become embroiled in Pip and Meredith's separation, past prejudices, harsh judgements and painful truths come to light. The arguments that ensue go beyond just being about Pip and Meredith, and what they should do about their marriage. In nine taut scenes, William Boyd explores what it is to argue with those we love - and those we should love. He looks at our propensity to judge others and our power to hurt. Alongside this, he shows how it can sometimes be the superficial problems in a relationship that keep it going. Both bleak and funny in its tone, The Argument offers a Strindberg-like take on human dynamics and received its world premiere at Hampstead Theatre Downstairs in March 2016.
William Boyd is the author of fourteen novels including A Good Man in Africa, winner of the Whitbread Award and the Somerset Maugham Award; An Ice-Cream War, winner of the John Llewellyn Rhys Prize and shortlisted for the Booker Prize; Any Human Heart, winner of the Prix Jean Monnet and adapted into a BAFTA-winning Channel 4 drama; Restless, winner of the Costa Novel of the Year, the Yorkshire PostNovel of the Year and a Richard & Judy selection; the Sunday Times bestseller, Waiting for Sunrise and, most recently, Solo, a James Bond novel. William Boyd lives in London and France williamboyd.co.uk
