Robert Lee Watt

The Black Horn

Tim Butcher

Creative Work Beyond Precarity

Island Musics

Wayne Sandholtz

Prohibiting Plunder

Oral Literary Performance in Africa

Derek B. Scott

From the Erotic to the Demonic

Jonathan Dueck

Congregational Music, Conflict and Community

Barry Monahan

Hands on Film

Matthew Bortolin

The Dharma of Star Wars

John C. M. Lam

Analog Audio Amplifier Design

Jonathan Pitches

Vsevolod Meyerhold

Marsha Meskimmon

Women Making Art

Michael Y. Bennett

Edward Albee's Who's Afraid of Virginia Woolf?

Andrew Hugill

The Digital Musician

Margo T. Oge

Driving the Future

Mary Dockray-Miller

The Books and the Life of Judith of Flanders

MENC Handbook of Musical Cognition and Deve...

Denise Gill

Melancholic Modalities

Staging Difficult Pasts

Michael Krinzeßa

"Nosferatu" - Eine Analyse des Stummfilmkla...

Mary Cyr

Style and Performance for Bowed String Inst...

Amir Nizar Zuabi

Oh My Sweet Land

Alex Nathanson

A History of Solar Power Art and Design

Amir H Ameri

Architecture, Aesthetics, and the Predicame...

Popular Music and the Rise of Populism in E...

Rosita Sheen

Tapestries

Pinter at 70

Dada Data

Crosscurrents in Australian First Nations a...

Steven Salvatore

Can't Take That Away

Katie Mitchell

The Director's Craft

Tsao Penyeh

Tradition and Change in the Performance of ...

Alexandra Carter

Dance and Dancers in the Victorian and Edwa...

Marion Hogl

Porträtfotografie

William Boyd

The Argument

John Mayer

Steppenwolf Theatre Company of Chicago