Eric Wolfson

Fifty Years of the Concept Album in Popular...

Stephane Elmosnino

Audio Production Principles

Andrew Ross

Andrew Ross

Catherine Dossin

The Rise and Fall of American Art, 1940s-1980s

Stephanie Hemelryk ...

Inert Cities

John Mayer

Steppenwolf Theatre Company of Chicago

Sidney Homan

Hitler in the Movies

Neal Swettenham

Richard Foreman

Asian Art Therapists

Jonathan Larkin

Cherry Jezebel

Titus Burckhardt

Foundations of Oriental Art & Symbolism

Angela Smith

Steel Drums and Steelbands

Mark Carwardine

Mark Carwardine's Guide To Whale Watching I...

Karl Falconer

Starting a Theatre Company

Lawrence Shapiro

The Physically Disabled Dancer and the Affi...

Hugh B. Urban

Songs of Ecstasy

Jess French

Minibeasts with Jess French

Judith E. Adler

Artists in Offices

Hubertus Von Amelun...

Edizioni F. Conz

Isley Lynn

Albatross

Stuart Shea

Fab Four FAQ

Marcus Milwright

A Story of Islamic Art

Tango Gao

Backside of the Moon

Jo Haynes

Music, Difference and the Residue of Race

Gregory Camp

Howard Hawks

Hans Gebhardt

Rechtsextreme Musik

Alexis Culotta

The Frescoed Façade in Renaissance Roman Vi...

Catherine Coppola

Teaching Canonic Opera and Musical Theater ...

Theo Van Leeuwen

Speech, Music, Sound

Daniel Schmidt

Das Urheberrecht: Vom geistigen Eigentum un...

Patrick Turner

Hip Hop Versus Rap

Heather Madar

Albrecht Dürer and the Depiction of Cultura...

Jonathan de Souza

Music at Hand

Carl Locher

Revival: Dictionary of the Organ (1914)

Ingrid Gorr

Mein schöner pflegeleichter Garten. Gewusst...

Nicholas Marston

Heinrich Schenker and Beethoven's 'Hammerkl...