Contemporary Group Theatre in Kolkata, India

This book is the first of its kind offering a materialistic semiotic analysis of a non-Western theatre culture: Bengali group theatre. Arnab Banerji fills two lacunas in contemporary theatre scholarship. First, the materialist semiotic approach to studying a non-Western theatre event allows Banerji to critically examine the material conditions in which theatre is created and seen outside the Euro-American context. And second, by shifting the critical lens onto a contemporary urban theatre phenomenon from India, the book attempts to even out the scholastic imbalance in Indian theatre scholarship which has largely focused on folk and classical traditions.
The book shows a refreshing new perspective toward a theatre culture that frequently escapes the critical lens in spite of being one of the largest urban theatre cultures in the world. Theatre events are a sum total of the conditions in which they are built and the conditions in which they are viewed. Studying the event separate from its materialistic beginnings and semiotic effects allow only a partial insight into the performance phenomenon.
The materialist semiotic critical framework of this book locates the Bengali group theatre within its performative context and offers a heretofore unexplored insight into this vibrant theatre culture.

Arnab Banerji is Assistant Professor of Theatre History and Dramatic Literature at Loyola Marymount University, Los Angeles. Arnab's essays and reviews have been published in Theatre Journal, Theatre Topics, Asian Theatre Journal, TDR, BOOM California, Ecumenica, Theatre Symposium, Sanglap, Cerebration, SERAS, and Virginia Review of Asian Studies. His current research is in performances by the Indian diaspora, translations of Indian vernacular plays, and contemporary Bengali theatre. Arnab is married and lives with his partner Sayantika in Los Angeles. When he is not doing academic stuff, Arnab enjoys drinking specialty coffee, looking up restaurants around town, binge-watching The Office, and browsing through graphic novels.

Setting the stage: an introduction Part 1: The city and its theatre 1. The city of Kolkata 2. The evolution of Bengali group theatre Part II: The material conditions of Bengali group theatre 3. Can you train to be a laborer: training in and for Bengali group theatre 4. No space to call home 5. In the corridors of Shastri Bhavan: funding theatre in Kolkata 6. From the page to the stage: organization and rehearsal in Bengali group theatre Part III: Case studies 7. Rang-Roop: good ol' Bengali group theatre 8. Revolution through play: the theatre of Theatre Formation Paribartak The materialist semiotics of Bengali group theatre: some concluding thoughts