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Contextualises Muriel Spark's writings in the tradition of Christian existentialism and its insistence on 'being towards death'
Muriel Spark, Existentialism and The Art of Death proposes that Christian existentialism and, in particular, the work of Søren Kierkegaard, helped shape Spark's religious commitments and her artistic innovations. Because of the prominence, after the Second World War, of the atheistic existentialism of Jean-Paul Sartre, it is often forgotten that existentialism was originally a Christian philosophy, shaped by followers of Kierkegaard such as Karl Jaspers and Gabriel Marcel.
Craig traces in Spark's writings both the influence of Kierkegaard and of Spark's resistance to Sartre's co-option of existentialism to an atheistic agenda. Kierkegaard's analysis of the nature of the 'aesthetic' as a false mode of existence that has to be transcended by the ethical and then by the religious provides a fundamental structure for Spark's satirical analyses of the failings of the modern world.
Cairns Craig is Director of the Research Institute of Irish and Scottish Studies at the University of Aberdeen.
Cairns Craig is Director of the AHRC Centre for Irish and Scottish Studies at the University of Aberdeen. His books include Yeats, Eliot, Pound and the Politics of Poetry (1982), Out of History (1996), The Modern Scottish Novel (1999), Associationism and the Literary Imagination (2007). He was general editor of the four-volume History of Scottish Literature (1987-9) and has been on the editorial boards of Cencrastus, Radical Scotland, Edinburgh Review and the Journal of Irish and Scottish Studies.
Introduction; 1. Living Next Door to Death; 2. Resisting Mimesis; 3. Kierkegaard the Limits of the Aesthetic; 4. Negating Sartre; 5. Repetition; 6. The Geo-Politics of the Personal; 7. The Art of Death; Index.
