Italian Style

This is the first in-depth, book-length study on fashion and Italian cinema from the silent film to the present. Italian cinema launched Italian fashion to the world. The book is the story of this launch. The creation of an Italian style and fashion as they are perceived today, especially by foreigners, was a product of the post World War II years. Before then, Parisian fashion had dominated Europe and the world. Just as fashion was part of Parisian and French national identity, the book explores the process of shaping and inventing an Italian style and fashion that ran parallel to, and at times took the lead in, the creation of an Italian national identity. In bringing to the fore these intersections, as well as emphasizing the importance of craft in cinema, fashion and costume design, the book aims to offer new visions of films by directors such as Nino Oxilia, Mario Camerini, Alessandro Blasetti, Federico Fellini, Michelangelo Antonioni, Luchino Visconti and Paolo Sorrentino, of film stars such as Lyda Borelli, Francesca Bertini, Pina Menichelli, Lucia Bosè, Monica Vitti, Marcello Mastroianni, Toni Servillo and others, and the costume archives and designers who have been central to the development of Made in Italy and Italian style.

Eugenia Paulicelli is Professor of Italian, Comparative Literature and Women's Studies at Queens College and The Graduate Center, The City University of New York (CUNY), USA. At The Graduate Center she directs Fashion Studies in the Master of Arts in Liberal Studies (MALS) and the PhD Concentration. Among her books: Moda e Moderno (editor, 2006); The Fabric of Cultures: Fashion, Identity, Globalization (co-editor, 2009); Writing Fashion in Early Modern Italy (2014); Rosa Genoni: Fashion is a Serious Business (2015). Visit her website at www.eugeniapaulicelli.com.

List of Illustrations
Acknowledgments
1 Fashion, Film, Modernity
a. Nostra Dea: the goddess of fashion
b. Pirandello, cinema, and clothing: elective affinities
c. "The Tight Frock-Coat": performing dress
d. Film, costume, fashion, and intermediality
e. Italian style: fashion and film
2 Italian Fashion and Film in the 1910s: From the Futurists to Rosa Genoni
a. The Futurists, fashion, film, and performance
b. Rosa Genoni: Per una moda italiana: fashioning the diva
3 From the Body of the Diva to the Body of the Nation
a. The Italian divas and the "gowns of emotions"
b. Lyda Borelli (1887-1959): the ethereal melancholic beauty and Ma l'amore mio non muore! (love everlasting)
c. The veil: modernity in motion in Nino Oxilia's Rapsodia Satanica
d. Francesca Bertini (1892-1985): the glamorous embodied
e. Nino Oxilia's Sangue Bleu (1914) and Gustavo Serena's Assunta Spina (1915)
f. Pina Menichelli (1890-1981): "the other woman" and the end of an era
4 Fashion, Film, Modernity, under Fascism
a. Fashion in motion: the LUCE newsreels
b. Rhythms of the modern city: fashion in Corrado D'Errico's Stramilano (1929)
c. Contessa di Parma (Alessandro Blasetti, 1937): a manifesto for the promotion of Italian fashion and Turin as a fashion city
d. Grandi Magazzini (1939, Mario Camerini): fashion consumption, gender roles, and work in Milan
e. Epilogue: towards a new dawn
5 Launching Italian Style in Cinema and Fashion: The Films of Michelangelo Antonioni
a. The fabric of film: Sette canne, un vestito (1949)
b. The 1950s: Cronaca di un amore, La signora senza camelie and Le amiche
c. The fashion show in Cronaca: a narrative mise en abyme
d. "Was I a good femme fatale?" (Lucia Bosè (Clara) in La signora senza camelie)
e. The fashion show in Le amiche: the end of the game
f. The 1960s: from costume to fashion. L'Avventura and beyond
g. Outsiders, doubles, wanderers
h. Conclusion: a visual tactility
6 Rome, Fashion, Film
a. From "Hollywood on the Tiber" to La Dolce Vita
b. Rome as a fashion city in the postwar years 161
c. La Dolce Vita
d. La Dolce Vita and its discontents
e. Roma (Fellini, 1971): space and time
f. The broken watch of history
g. The ecclesiastical fashion show
7 After La Dolce Vita: La Grande Bellezza (2013) by Paolo Sorrentino
a. Fashion, film, and Rome today: national identity revisited
Appendices:
a. The Photographic Archive by Giuseppe Palmas (1918-1977)
b. Interview with Fernanda Gattinoni, Rome, June 16, 2000
c. Dressing the Dreams: Interview with Dino Trappetti-Tirelli Costumi Rome, December 2015
d. Interview with Teresa Allegri, founder of Annamode, Rome, Fondazione Annamode, June 6, 2013
e. Adriana Berselli
f. Some notes on the set of L'avventura (1960) by Michelangelo Antonioni
g. "Cesare Attolini" and La Grande Bellezza: Interview with Massimiliano Attolini, Son of Cesare and Grandson of Vincenzo, Founder of the Sartoria
Selected Bibliography
Filmography
Index