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From Harold Bloom, the greatest Shakespeare scholar of our time, comes a portrait of Macbeth, one of William Shakespeare’s most complex and compelling anti-heroes—the final volume in a series of five short books about the great playwright’s most significant personalities: Falstaff, Cleopatra, Lear, Iago, and Macbeth. From the ambitious and mad titular character to his devilish wife Lady Macbeth to the mysterious Three Witches, Macbeth is one of William Shakespeare’s more brilliantly populated plays and remains among the most widely read. Macbeth is a distinguished warrior hero, who over the course of the play, transforms into a brutal, murderous villain and pays an extraordinary price for committing an evil act. A man consumed with ambition and self-doubt, Macbeth is one of Shakespeare’s most vital meditations on the dangerous corners of the human imagination. Award-winning writer and beloved professor Harold Bloom investigates Macbeth’s unthinkable actions with razor-sharp insight, agility, and compassion. He also writes about his shifting understanding—over the course of his own lifetime—of this endlessly compelling figure. “Acclaimed critic Bloom once again plumbs the depths of a Shakespeare play to reveal new insights [that]…will shift the reader’s perceptions of a literary classic” (Publishers Weekly). “A lingering and deeply curious, even troubled, look at the titular character in the legendary play…this clear, concise, empathetic” (Kirkus Reviews) volume delivers that kind of exhilarating intimacy and clarity in Macbeth, the final book in an essential series.
Harold Bloom (1930–2019) was Sterling Professor of Humanities at Yale University. He wrote more than sixty books, including Cleopatra: I Am Fire and Air, Falstaff: Give Me Life, The Western Canon, Shakespeare: The Invention of the Human, and How to Read and Why. He was a MacArthur Prize fellow, a member of the American Academy of Arts and Letters, and the recipient of many awards, including the Academy’s Gold Medal for Criticism.
