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Following the first volume on Dmitry Shostakovich's early career and his emergence as the first composer for Soviet Russian cinema, this book examines Shostakovich's continued development as a film composer and his navigation of Stalinist cultural politics from 1936 to 1953.
Joan Titus is Professor of Musicology and Ethnomusicology, and Women's, Gender, and Sexuality Studies at the University of North Carolina at Greensboro. She researches the cultural politics of audiovisual media and has published on the themes of Soviet and Russian film music, indigeneity and transnational identities, and the intersectionality of gender, race, and nationalism in music for screen media.
- Archives and Libraries Consulted
- Note on Transliteration and Translation
- About the Companion Website
- 1. Introduction
- 2. Between the Revolution and the Soviet
- 3. Facets of the Soviet
- 4. Youth, Gender, and the Soviet Hero(ine)
- 5. Heroes and Cold War Relations
- 6. Heroes and Stalin Cult Films
- 7. Conclusion
- Notes
- Bibliography
- Index
