Und dann auf "Zum Home-Bildschirm [+]".
Stöbern
genialokal zum Startbildschirm hinzufügen
Installieren Sie die genialokal App auf Ihrem Startbildschirm für einen schnellen Zugriff und eine komfortable Nutzung.
Installieren Sie die genialokal App auf Ihrem Startbildschirm für einen schnellen Zugriff und eine komfortable Nutzung.
Ihr gewünschter Artikel ist in 0 Buchhandlungen vorrätig - wählen Sie hier eine Buchhandlung in Ihrer Nähe aus:
0
Mariusz Kozak is an Assistant Professor of Music at Columbia University. His research focuses on the emergence of musical meaning in contemporary art music, the development and cognitive bases of musical experience, and the phenomenology of bodily interactions in musical behavior. In his work, he bridges experimental approaches from embodied cognition with phenomenology and music analysis, in particular using motion-capture technology to study the movements of performers and listeners. His articles have appeared in Music Theory Spectrum and Music Theory Online, among others.
Acknowledgements
Introduction
Lines
Music and Time
Enacting Musical Time
1. MEANING
Musical Objects
Objective Time
Lived Time
Significance
Affordances
2. AFFORDANCES
Breathing
Becoming Music (Behave So Strangely)
Musical Affordances
Situation Semantics
Cultural Information
Situation Semantics and Musical Affordances
Temporal Affordances
Musical Affordances of Breath
3. BODY
Embodied Cognition
Temporal Bodies
Kinesthetic Knowledge
Kinesthetic Knowledge in Music Analysis
4. FLESH
The Body's "I Can"
From "I Can" to Time
The Flesh of Time
Temporal Objects and the Flesh of Music
5. AFFECTIVITY
Auto-Affection
Enacting Lived Time
Louis Andriessen's De Tijd
Eternity in Augustine's Confessions
Temporal and Affective Dynamics of Movement
Enacting Chronal Anxiety
6. VERTICALITY
Vertical Time
Eternal Return
Affect
Hosokawa's Vertical Time
Malleable Musical Form
Works Cited
Index
