Und dann auf "Zum Home-Bildschirm [+]".
Stöbern
genialokal zum Startbildschirm hinzufügen
Installieren Sie die genialokal App auf Ihrem Startbildschirm für einen schnellen Zugriff und eine komfortable Nutzung.
Installieren Sie die genialokal App auf Ihrem Startbildschirm für einen schnellen Zugriff und eine komfortable Nutzung.
Ihr gewünschter Artikel ist in 0 Buchhandlungen vorrätig - wählen Sie hier eine Buchhandlung in Ihrer Nähe aus:
Easy Rider (1969) broke the mould of Hollywood studio production, making stars of Peter Fonda, Dennis Hopper and Jack Nicholson, and launching a new wave of radical and experimental American cinema. One of the key films of the late 60s, Easy Rider enshrined the ideals of the counterculture, but also foresaw their demise in the division and paranoia of a nation rocked by Watergate and the Vietnam War. Few films since have captured its particular blend of innocence and cynicism, hope and despair. In his illuminating study of the film, Lee Hill explores both the circumstances surrounding its making and the social and cultural forces that found expression in it. Hill argues that the role of the film's primary screenwriter, Terry Southern, has been neglected as the exact circumstances of production, filming and editing have become lost in myth-making. Drawing on archival research and first-person interviews with Southern, Hill questions some of the legends that surround Easy Rider. In his afterword to this new edition, Hill revisits the film from the perspective of a contemporary era of political strife, and traces the subsequent fortunes of its director, producer and stars Hopper, Fonda and Nicholson in a changing Hollywood.
Lee Hill has written about literature, film, music, and popular culture for newspapers, magazines, and radio for more than a decade. He lives in Calgary, Alberta, Canada.
Acknowledgments 1. Going to Mardi Gras: The Making of Easy Rider 2. The Ballad of Easy Rider 3. End of the Road Afterword to the 2026 Edition Notes Credits Bibliography
