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Chinese Religious Art is a broad survey of the origins and development of the various forms of artistic expression of Chinese religions. This survey of icons, temples, and rituals reveals the varied ways the Chinese expressed the presence of the divine and worshipped it. Some of the most beautiful art, inspired mountain temples, lofty landscapes, lush gardens, murals and paintings both narrative and iconic, characterizes each of the traditions. Most of the visual material comprises unpublished views of these sacred sites.
Patricia Eichenbaum Karetzky is the O. Munsterberg Chair of Asian Art at Bard College, New York and Adjunct Professor at City College of New York. She has published numerous books and articles on Chinese culture in general and in particular on Chinese religious art, notably Buddhist and Daoist aesthetic traditions. She was editor of the Journal of Chinese Religions for five years.
Introduction Part 1: The Beginnings of Chinese Religious Art Chapter 1: Neolithic Period to Shang Dynasty Chapter 2: Ceremonial Art of the Zhou Dynasty Chapter 3: The Religious Art of the Chu Culture Chapter 4: The First Emperor Qin Shihuangdi Part 2: Confucian Art Chapter 5: The Development of Confucianism in the Han (206 bce -220 ce) Chapter 6: Confucian Art in Medieval China Six Dynasties to Song Dynasty ( 221-1279) Chapter 7: Confucian Art Yuan to Qing Dynasties (1279-1911) Chapter 8: Confucian Temples Part 3: Daoist Art Chapter 9: Daoist Art of the Han Dynasty (206 bce -220 ce) Chapter 10: Daoist Art of the Medieval Period, Tang and Song Dynasties (618-1279) Chapter 11: Daoist Art of the Yuan, Ming and Qing Dynasties (1279-1911) Chapter 12: Daoist Ritual and Temples Part 4: Buddhist Art Chapter 13: Early Buddhist Chinese Art 1-23 (386-618) Chapter 14: Buddhist Art of the Tang Dynasty (618-907) Chapter 15: Later Buddhist Art 1-41 (Song- Qing Dynasties (960-1911) Chapter 16: Buddhist Te
