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A solid workflow practice is completely necessary and unavoidable for digital photographers. Most of the existing workflow content in existence is about specific software applications rather than a universal view of the entire image file processing ecology. This book is a coherent, concise guide to all digital imaging best practice aspects and workflow that digital photographers and digital imaging artists (or image makers) need from planning and capture to archiving and everything in between.It also has resources and links to stay current and up to speed with the rapid changes in technology an accompanying Website with the latest advances in workflow Podcasts containing interviews with photographers discussing their workflow habits and tips. This handbook is software version independent and focuses more on the key fundamentals that are a constant from software version to software version.
Patricia Russotti is a New Media Professor, College of Imaging Arts & Sciences at Rochester Institute of Technology. She is an artist, educator, curriculum developer, and international presenter. She provides imaging services for corporations, public service organizations and individual artistic commissions.
ACKNOWLEDGMENTS; INTRODUCTION; Chapter 1 Digital Photography Best Practices and Workflow; Chapter 2 Terminology and the Importance of Language; Chapter 3 An Overview of Workfl ow Components and Planning; Chapter 4 Workfl ows and Parameters; Chapter 5 The Image Archive; Chapter 6 Image Capture; Chapter 7 Getting to Work-Image; Chapter 8 Image Edit; Chapter 9 Optimization; Chapter 10 Master Files and Derivative Files; Chapter 11 Image Proofing; Chapter 12 Image Delivery; It's a Wrap; The Importance of Ergonomics Index
