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Lela in Bali tells the story of an annual festival of eighteenth-century kingdoms in Northern Cameroon that was swept up in the migrations of marauding slave-raiders during the nineteenth century and carried south towards the coast. Lela was transformed first into a mounted durbar, like those of the Muslim states, before evolving in tandem with the German colonial project into a festival of arms. Reinterpreted by missionaries and post-colonial Cameroonians, Lela has become one of the most important of Cameroonian festivals and a crucial marker of identity within the state. Richard Fardon's recuperation of two hundred years of history is an essential contribution not only to Cameroonian studies but also to the broader understanding of the evolution of African cultures.
Richard Fardon, Professor of West African Anthropology in the University of London, is the author of four monographs on West Africa, as well as numerous works of anthropological theory. Since 1988 he has taught at the School of Oriental and African Studies, where he chaired the University of London's Centre of African Studies for eight years. In addition to its obvious archival sources, this book draws upon ethnographic research he began in Nigeria (from 1976) and in Cameroon (from 1984). Richard Fardon has been editor of the journal AFRICA since 2001.
Map and Figures
Preface
Acknowledgements Chapter 1. Lela: Past Present, Present Past
Chapter 2. Lela in 1908: The Photographic Record
Chapter 3. Lela: The Texts, 1890s to 1960s
Chapter 4. Lela: Incorporation, Ascendancy and the Means of Violence
Chapter 5. Lela in the Grassfields and the 'Graffi' in Lela: Or, More is More
Chapter 6. Lela Precedents: Beyond and Before the Grassfields
Chapter 7. Fast forward: From Adamawa to Late Post-Colonial Cameroon References
