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The classical music of Iraq, known as Iraqi Maqam, features classical and vernacular poetry sung by a virtuoso soloist and accompanied by a small instrumental ensemble. It is a remarkably cosmopolitan art, sharing many features with neighboring classical traditions, particularly Iranian. Its repertoire consists of orally transmitted, multi-sectioned compositions, performed with some flexibility regarding ornamentation, arrangement and development. Focusing on the period between 1930-1980. This is a reference source that offers the first comprehensive view of the musical contents of the repertoire-scalar structure, melodic materials and overall form-through various tables and musical transcriptions. This reference consolidates information from prominent Iraqi sources and draws upon a selection of recordings by master musicians, including Rashid Qundarchi and Yusuf Omar. An introductory section provides a brief overview of pan-Middle Eastern modal theory along with an outline of the terminology, theory and practices specific to Iraqi Maqam. The main section of the work is a catalog of 40 maqams that constitute the central core of the contemporary repertoire.
Rob Simms
Chapter 1 Alphabetical Listing of Maqam Anthology Chapter 2 Introduction Chapter 3 Maqam in General and Iraqi Maqam in Particular Chapter 4 An Anthology of Iraqi Maqam Chapter 5 1 The Rast Family Chapter 6 2 The Beyat Family Chapter 7 3 The Husseini Family Chapter 8 4 The Hijaz Family Chapter 9 5 The Saba Family Chapter 10 6 The Segah Family Chapter 11 7 The Nawa Family Chapter 12 8 The Ajam/Jahargah Family Chapter 13 9 Miscellaneous Maqams Chapter 14 Glossary Chapter 15 Bibliography Chapter 16 Discography Chapter 17 General Index Chapter 18 Index of Modes Chapter 19 About the Author
