Und dann auf "Zum Home-Bildschirm [+]".
Stöbern
genialokal zum Startbildschirm hinzufügen
Installieren Sie die genialokal App auf Ihrem Startbildschirm für einen schnellen Zugriff und eine komfortable Nutzung.
Installieren Sie die genialokal App auf Ihrem Startbildschirm für einen schnellen Zugriff und eine komfortable Nutzung.
We live in an age of the mobile image. The world today is absolutely saturated with images of all kinds circulating around the world at an incredible rate. The movement of the image has never been more extraordinary than it is today. This recent kinetic revolution of the image has enormous consequences not only for the way we think about contemporary art and aesthetics but also for art history as well.
Responding to this historical moment, Theory of the Image offers a fresh new theory and history of art from the perspective of this epoch-defining mobility. The image has been understood in many ways, but it is rarely understood to be fundamentally in motion. The original and materialist approach is what defines Theory of the Image and what allows it to offer the first kinetic history of the Western art tradition. In this book, Thomas Nail further develops his larger philosophy of movement into a comprehensive "kinesthetic" of the moving image from prehistory to the present. The book concludes with a vivid analysis of the contemporary digital image and its hybridity, ultimately outlining new territory for research and exploration across aesthetics, art history, cultural theory, and media studies.
Thomas Nail is an Associate Professor of Philosophy at the University of Denver. He is the author of numerous works, including Theory of the Border (OUP 2016) and Being and Motion (OUP 2018).
Introduction
Part I: Kinesthetics 1. The Flow of Matter 2. The Fold of Affect 3. The Field of Art
Part II: History of the Image
I. The Functional Image 4. Centripetal Function 5. The Prehistoric Image
II. The Formal Image 6. Centrifugal Form 7. The Ancient Image I 8. The Ancient Image II
III. The Relational Image 9. Tensional Relation 10. The Medieval Image I 11. The Medieval Image II
IV. The Differential Image 12. Elastic Difference 13. The Modern Image I 14. The Modern Image II
Part III: The Contemporary Image 15. The Digital Image 16. The Generative Image Conclusion
