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Author Una McIlvenna brings the execution ballad to life in Singing the News of Death, uncovering the relationship between punishment and music throughout Europe from 1500-1900 with an unprecedented breadth of study and ambition.
Una McIlvenna is Honorary Senior Lecturer at the Australian National University. A literary and cultural historian of early modern Europe, she is also the author of Scandal and Reputation at the Court of Catherine de Medici (2016). She has held positions at the Universities of Melbourne, Sydney, Kent and Queen Mary University of London.
Acknowledgements
Abbreviations
List of Illustrations
List of Music Examples
Introduction
Part I: Selling the news of death
Chapter One: The significance of contrafactum or, how melody made meaning
Chapter Two: The centrality of shame in the punishment ritual
Chapter Three: Fake news? How execution ballads walked the line between truth and fiction
Part II: Crimes that Feature in Execution Ballads
Chapter Four: The Devil's business: religion, witchcraft, sorcery, possession
Chapter Five: How ballads portrayed murder and violence
Chapter Six: Political executions in song
Chapter Seven: Outlaw ballads: fantasy vs reality
Chapter Eight: The end of execution ballads?
Coda: Songs about the executioner
Conclusion
Bibliography
Index
