Narrating African FutureS

Francesca R. Sborgi Lawson

The Women of Quyi

André de Quadros

Focus: Choral Music in Global Perspective

Chris Thurman

South African Essays on 'Universal' Shakesp...

Cadra Peterson McDaniel

American-Soviet Cultural Diplomacy

Ben Harris

Home Studio Setup

Inga Cordes

Auswirkungen des Fernsehformats "Castingsho...

Bryan Charles

Pavement's Wowee Zowee

Improvisation Methods and Practices in Sout...

Kunio Hara

Joe Hisaishi's Soundtrack for My Neighbor T...

Lotte Goslar

What's So Funny?

Susan Lewis Hammond

Editing Music in Early Modern Germany

Paul A. Scolieri

Ted Shawn

David Campos

Cultivating Creativity through World Films

Robin Schraft

The Director's Toolkit

Ashley Bryan

All Night, All Day

Margret Greiner

Charlotte Salomon

Thomas Macfarlane

Experiencing Billy Joel

Barbara File Marangon

Passion and Elegance

Massimiliano Mollona

Art/Commons

Gijs Van Hensbergen

Guernica

Philip Furia

America's Songs

Finding Democracy in Music

Andrew Wright Hurley

Free Action

Transmedia Selves

Hans-Peter Tiemann

Aliens in Niederottenbach

Addamms Mututa

Crisis Urbanism and Postcolonial African Ci...

Pasqualino Conte

Imparare improvvisando

Roz Southey

Music-Making in North-East England during t...

Nikos Papastergiadis

Museums of the Commons

David Levi Strauss

From Head to Hand

Theodor Dumitrescu

The Early Tudor Court and International Mus...

Margriet Eikema Hommes

Art and Allegiance in the Dutch Golden Age

Jeromy Hopgood

QLab 4

Kate Mcquiston

Music and Sound in the Worlds of Michel Gondry

Rembrandts "Das Bad der Diana mit Aktäon un...