Marsha Meskimmon

Women Making Art

Michael Y. Bennett

Edward Albee's Who's Afraid of Virginia Woolf?

Andrew Hugill

The Digital Musician

Margo T. Oge

Driving the Future

Mary Dockray-Miller

The Books and the Life of Judith of Flanders

MENC Handbook of Musical Cognition and Deve...

Denise Gill

Melancholic Modalities

Latin American Classical Composers

Staging Difficult Pasts

Michael Krinzeßa

"Nosferatu" - Eine Analyse des Stummfilmkla...

Mary Cyr

Style and Performance for Bowed String Inst...

Amir Nizar Zuabi

Oh My Sweet Land

Alex Nathanson

A History of Solar Power Art and Design

Amir H Ameri

Architecture, Aesthetics, and the Predicame...

Popular Music and the Rise of Populism in E...

Rosita Sheen

Tapestries

Victoria Souliman

Australian Women, Art and the Interwar Years

Pinter at 70

Lauren Gorfinkel

Chinese Television and National Identity Co...

Dada Data

Crosscurrents in Australian First Nations a...

Steven Salvatore

Can't Take That Away

Katie Mitchell

The Director's Craft

Tsao Penyeh

Tradition and Change in the Performance of ...

Alexandra Carter

Dance and Dancers in the Victorian and Edwa...

Marion Hogl

Porträtfotografie

William Boyd

The Argument

John Mayer

Steppenwolf Theatre Company of Chicago

Jane Tormey

Photography and Political Aesthetics

William Washabaugh

Flamenco Music and National Identity in Spain

David McHenry

Drawing the Line

Jessica Schwarzenbach

Transatlantic Reflections on the Practice-B...

Nadine Hellriegel

Bernd Alois Zimmermann und die Literatur

Henry Johnson

Bic Runga's Drive

Oliver Lehrbaß

Grundlagen der musique concrète

Vincenzo Bellini on Stage and Screen, 1935-...