Michael Mittermeier

Achtung Baby!

Jessica Kulekjian

First Notes of Spring

Jannik Genz

Die Verarbeitung von Fremdheitserfahrungen ...

Martin Søberg

Kay Fisker

Teófilo Espada-Brignoni

The Performance of Authenticity

Charles A. Perrone

Chico Buarque's First Chico Buarque

Teresa Sabankaya

Modern Floriography

The Routledge Companion to Performance Prac...

Greg Hainge

Noise Matters

Kyle Gillette

Thornton Wilder's The Skin of our Teeth

Paul Carter

Amplifications

Appropriated Interiors

Carolyn C. Dunlop

Russian Court Chapel Choir

Elza Adamowicz

Un Chien Andalou

Walter Everett

What Goes On

Tara McGowan

Performing Kamishibai

Ellis Jones

DIY Music and the Politics of Social Media

Jürgen Becker

Dalí Dalí

Roberto Calasso

Der Himmlische Jäger

David J. Smith

Networks of Music and Culture in the Late S...

John Logan

Red

Lisa Stahlschmitt

Interpretationsansätze für Botticellis Prim...

Ken Wilder

Beholding

Ron Scheer

Wege 'neuer Musik' - Zur Verbreitung neuer ...

Carmen Trappenberg

Heinrich Zilles Photographien

Karoline Kmetetz-Becker

Rodin und der Torso: Fragmentierung des Kör...

Jerry Zolten

Great God A'Mighty! The Dixie Hummingbirds

Dag Jansson

Leading Musically

Nilanjana Mukherjee

Spatial Imaginings in the Age of Colonial C...

Sydney Hutchinson

Focus: Music of the Caribbean

Peter Kivy

De Gustibus

Terumi Narushima

Microtonality and the Tuning Systems of Erv...

Producing the Past

One Nation Under God?

Eelco F. M. MD Wijdicks

Cinema, MD

Malte H.

Die Requiemsvertonungen von Gabriel Fauré u...