Semiotics: The Basics

This fourth edition of the bestselling textbook, now available in print, eBook, and audiobook, has been fully updated, continuing to provide a concise introduction to the key concepts of semiotics in accessible and jargon-free language. Demystifying what is a complex, highly interdisciplinary field, key questions covered include: what are signs and codes? What can semiotics teach us about representation and reality? What tools does it offer for analysing texts and cultural practices? The fourth edition of Semiotics: The Basics focuses in particular on its application to communication and cultural studies. It has been extensively revised and extended, with an entirely new section on cognitive semiotics, many more illustrations, and a new glossary. With updates to theory, further examples, and suggestions for review and further reading, this must-have resource is both the ideal introductory text and an essential reference guide for students at all levels of language and communication, media, and cultural studies.

Daniel Chandler is an Emeritus faculty member at Aberystwyth University and a consultant in marketing semiotics. He is also the senior compiler of A Dictionary of Media and Communication (3rd edition, Oxford University Press, 2020) and A Dictionary of Social Media (Oxford University Press, 2016).

List of illustrations Preface Acknowledgements Introduction Definitions Relation to philosophy and linguistics Structuralism Why study semiotics? 1 Models The Saussurean model Arbitrariness The relational system The Peircean model Jakobson's model Sign relations Symbolic relations Iconic relations Indexical relations The case of photography Mixed modes Types and tokens Rematerializing the sign Hjelmslev's model Reflections Further reading 2 Realities Categorization Language, thought, and reality Referentiality Referentiality Modality The word is not the thing Empty signifiers Reflections Further reading 3 Structures Horizontal and vertical axes The paradigmatic dimension The commutation test Oppositions Markedness Deconstruction Conceptual alignment The semiotic square The syntagmatic dimension Spatial relations Sequential relations Structural reduction Langue and parole Reflections Further reading 4 Codes The language model Digital and analogue codes Typologies Social codes Textual codes Genre Aesthetic realisms Invisible editing Interpretive codes Ways of reading Codification Limitations Reflections Further reading 5 Ways of meaning Rhetorical tropes Metaphor Metonymy Synecdoche Irony Master tropes Denotation and connotation Myth Reflections Further reading 6 Interactions Models of communication Context and relevance Communicative functions The positioning of the subject Modes of address Intertextuality Problematizing authorship No text is an island Intratextuality Textual framing Reflections Further reading 7 Perspectives Structuralist semiotics Poststructuralist semiotics The return of Saussure Social semiotics Cognitive semiotics Cartesian dualism Semiotic stances Mental representation Embodiment Methodologies An ecological and multimodal approach Reflections Further reading Going further Glossary References Index

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