Embodied Experiences of Making in Early Modern Europe

Processes of making in early modern Europe were both tacit and embodied. Whether making pottery, food, or textiles, the processes of manual production rested on an intersensory connection between mind, body, and object. This volume focuses on the body of the maker to ask how processes of making, experimenting, experiencing, and reconstructing illuminate early modern assumptions and understandings around manual labour and material life. Answers can be gleaned through both recapturing past skills and knowledge of making and by reconstructing past bodies and bodily experiences using recreative and experimental approaches., In drawing attention to the body, this collection underlines the importance of embodied knowledge and sensory experiences associated with the making practices of historically marginalised groups, such as craftspeople, women, domestic servants, and those who were colonised, to confront biases in the written archive. The history of making is found not only in technological and economic innovations which drove 'progress' but also in the hands, minds, and creations of makers themselves. First interdisciplinary collection of essays to: . Synthesise experimental history approaches used to investigate a wide range of objects - dress, cosmetics, cooking and art - and their makers or wearers in the early modern period. . Demonstrate how attention to objects and making, in both historical and modern experimental contexts, can uncover knowledge of embodied and gendered experiences that are otherwise difficult to access. . Contributes to the recently termed 'making' and 'embodied' turns in history.

Sarah A. Bendall is Senior Lecturer in the Institute for Humanities and Social Sciences at the Australian Catholic University. Her research explores the production and consumption of early modern fashionable goods. Her first book Shaping Femininity was published by Bloomsbury in 2021. She is Co-I of the AHRC-funded network, Making Historical Dress. Serena Dyer is Associate Professor of Fashion History, De Montfort University. She is author of Material Lives (Bloomsbury, 2021) and Labour of the Stitch (Cambridge University Press, 2024) and editor, with Chloe Wigston Smith, of Material Literacy in Eighteenth-Century Britain (Bloomsbury, 2020). She leads the AHRC-funded network, Making Historical Dress.

Foreword -Evelyn Welch, 1. The Bodies of Makers - Sarah A. Bendall and Serena Dyer, PART I: Making and Embodied Knowledge, 2. Bodies and Gender Identities in the Making of Silk Fibre in Seventeenth-Century France -Susan Broomhall, 3. Bodies and Spices in the Early Modern European, South Asian, and Southeast Asian Worlds -Amanda E. Herbert and Neha Vermani, 4. Attending to the Tacit; Or, Knowledge Trickles Upwards -Leonie Hannan, PART II: Re-Making and Embodied Experiences, 5. 'Your Companions Will Teach You': Makers' Knowledge in Renaissance Cosmetics Recipes -Jill Burke and Wilson Poon, 6. Beautiful Experiments: Reading and Reconstructing Early Modern European Cosmetic Recipes -Erin Griffey with Michél Nieuwoudt, 7. Remaking Sixteenth-Century Botanical Woodblocks: Embodied Artisanal Knowledge in Early Modern Woodcutting -Jessie Wei-Hsuan Chen, 8. Generating Bodies: Investigating Foundation Garments and Maternity through Making -Sarah A. Bendall and Catriona Fisk, Index