Unimaginable

What we imagine can crush us or create us, destroy us or heal us; it can pitch us into battles with demons or set us among the songs of angels. It has roots beneath consciousness and is expressed in moods, rhythms, tones and textures of experience that are as much mental as physiological.
In his new book, a sequel to the earlier Unbelievable, one of Britain's most exciting writers on religion here presents a nuanced and many-dimensional portrait of the mystery and creativity of the human imagination. Traversing landscapes that are both physical and emotional, palpable and intangible, the author enlists the company of fellow-travellers William Wordsworth, William Turner, Samuel Palmer and Ralph Vaughan Williams - alongside many other creative artists - to try to get to the bottom of the true meanings of originality and memory. Drawing the while on his own rich and varied encounters with belief, he asks why it is that the imagination is so fundamental to who and what we are.
Using metaphor and story to unpeel the hidden motivations and architecture of the mind, and show what might lie beneath, Graham Ward grapples here with profound questions of ultimacy and transcendence. He reveals that, in understanding what it really means to be human, what cannot be imagined invariably means as much as what can.

Graham Ward is Regius Professor of Divinity in the University of Oxford and a Canon of Christ Church, Oxford. A former editor of the journal Literature and Theology, he has written numerous books which explore varied topics in religion, theology, literature and literary and cultural theory. These include Barth, Derrida and the Language of Theology (1995), Theology and Contemporary Critical Theory (1996), Radical Orthodoxy: A New Theology (edited with John Milbank and Catherine Pickstock, 1998), The Certeau Reader (2000), True Religion (2002), Cultural Transformation and Religious Practice (2010) and Unbelievable: Why We Believe and Why We Don't (I.B.Tauris, 2014).

Acknowledgements
Introduction: Deep Dreaming
PART ONE: ARCHAEOLOGIES
I. Landscapes
II. Palaeolithic Horizons
PART TWO: ARCHITECTURES
III. Imagination and Mental Life
IV. Imagination and Memory
V. Imagination and Dreams
PART THREE: ENGAGEMENTS
VI. Myth-Making
VII. The Cultural Imagination
VIII. The Social Imagination
Ecce Homo
Bibliography
Index